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Greg Max’s ‘Everyone’s a Jimi’: An Exploration of Perseverance, Nostalgia, and Self-Discovery in Alternative Hip-Hop

Greg Max’s new album “Everyone’s a Jimi” is a thrilling addition to the Pheonix, AZ hip-hop scene. The project showcases Max’s roots in Eastern North Carolina and delves into a range of personal and universal themes.

One of the standout tracks on the album is “Runners High” which speaks to the importance of pursuing one’s passions with determination and perseverance. Max’s lyrics are raw and honest, capturing the struggles and triumphs of the journey towards happiness. The track is propelled by a catchy beat and features Max’s signature smooth flow, making it a surefire hit for fans of the genre.

In addition to the themes of perseverance and nostalgia, “Everyone’s a Jimi” also touches on the complexities of relationships and self-discovery. The album’s intro track, “The Recipe” explores the idea that everyone has the potential to be a genius in their own way. The track encourages listeners to embrace their individuality and to not be afraid to stand out from the crowd.

Overall, “Everyone’s a Jimi” is a highly-recommended listen for fans of alternative hip-hop. Max’s lyrics are relatable and thought-provoking, and the production on the tracks is above industry standard quality. This album is a testament to Max’s growth as an artist and is sure to appeal to a wide audience.

Stream “Everyone’s a Jimi” Here:

Follow Greg Max:
https://instagram.com/gregmaxgregmax
https://twitter.com/gregmaxgregmax
https://tiktok.com/@gregmaxgregmax

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Wrek shares fresh single “Over”

By Damilola Grey

New Jersey artist, Wrek is back with his highly anticipated single titled “Over”. This is also his 4th single of the year.

On “Over”, Wrek talks about the flow of various relationships he has experienced and how it’s similar to the way current relationships work. When Wrek was creating this masterpiece, it meant more of healing for him but now it signifies closure. Wrek expresses his emotions, in a chill manner, with a “Smino-esque” soundwhich is a result of his growth as an artist- one which is very noticeable, especially for those tapped in with his career. When I asked Wrek about his new sound, he told me “Nothing lasts forever at the end of the day, but I can say the sound is here to stay, or even do a new addition to the artillery haha”. The heavenly production of this single was handled by typhoon

Wrek has had an amazing year dropping banger after banger and what better way to end this year than with a single as amazing as “Over”. His growth as an artist has been amazing to watch and we can’t wait to see what the New Jersey native has in store for us next year.

Stream “Over” on all platforms:

Listen to “Over” HERE.

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DRBRWL shares vibrant self-titled EP

By Todd Anderson

DRBRWL has shared a fresh new self-titled EP. He is a new age hip-hop artist born and raised in Minneapolis, Minnesota. Of Liberian and Ghanaian descent, DRBRWL is currently working as a youth advocate with young people in Minnesota while consistently performing and working on his craft within the twin cities. He has just released a self-titled debut EP, which caught our attention for its vibrancy and abstract nature, as DRBRWL showcases his unique delivery and ear for catchy melodies.

Drbrwl EP kicks off with “within”, which sets the tone for the versatile and colorful sound of the project. Here, ethereal synths drift atop bouncy, vital percussion and 808s, with fluttering, catchy vocals from DRBRWL taking center stage and adding to the song’s vividness. “fuse blew” brings forth an intriguing sound with its moody, atmospheric guitars contrasting with heavy 808s and snapping percussion, as DRBRWL delivers hypnotic melodies overtop. “no barriers” with OZCASHTHEPRODUCER contains heavily immersive production with warbling flutes that contain a sense of depth, as DRBRWL delivers a smooth, emotive vocal performance that showcases his versatility as a vocalist.

Drbrwl is the latest project from Minneapolis artist DRBRWL, and it contains some mercurial, memorable sounds and emotionally dense performances from DRBRWL that make for a vibrant listen.

Listen to Drbrwl here:

Connect with DRBRWL: Spotify | Instagram | Twitter

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Hoody Hawi’s “Artificial Ignorance”: A Groundbreaking Project in the Underground Rap Scene

Hoody Hawi’s latest project, “Artificial Ignorance,” is a seven-song masterpiece that pushes the boundaries of the underground rap scene. Throughout the project, Hoody details his endless pursuit to succeed in life and in his music career.

One of the standout tracks on the project is “11:11 CoCo Bistro Outro” which sees Hoody reflecting on his journey as an artist and the sacrifices he has made to get to where he is today. The song’s intimate beat and Hoody’s smooth flow make it a standout track on the project.

Another highlight is “Paper Cuts 2014” which finds Hoody motivating listeners to keep pushing forward and never give up on their dreams through his personal experiences. The song’s upbeat production and inspirational lyrics make it a perfect anthem for anyone looking to overcome obstacles and achieve their goals.

Overall, “Artificial Ignorance” is a must-listen for fans of underground rap and anyone looking for an injection of motivation and inspiration. Hoody Hawi’s unique style and powerful lyrics make this project a standout in the crowded rap scene. If you’re looking for an artist who truly embodies the hustle and grind of the music industry, look no further than Hoody Hawi.

Stream “Artificial Ignorance” Here:

Follow Hoody Hawi:
https://instagram.com/hoodyhawi
https://twitter.com/hoodyhawi

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Alexcusemy shares hard-hitting single “GAME OF LIFE”

Houston artist Alexcusemy returns to our pages with a fresh new single called “GAME OF LIFE”. Continuing his highly prolific output, “GAME OF LIFE” finds him taking on a somewhat different sound with a raw, rebellious joint that can be described as “organized chaos” in the best way possible.

Alexcusemy flips a “Man’s World” soul sample into a darkly poignant beat as the sample coalesces into a psychedelic combination of vocal chops, dusky keys, and expansive strings. Atop the imposing production, he delivers a series of enticing verses before exploding into a powerful hook that captivates the listener’s attention. A raucous new song from the Houston musician that contains a potent frustration that bursts through the speakers, “GAME OF LIFE” marks another solid release from him in which he explores new territory.

Listen to “GAME OF LIFE” below:

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Jxylen releases expanded version of thought-provoking debut album with ‘PROJECT MAYHEM: FIGHT CLUB EDITION’

By Jacob Ezra

At the beginning of this year, Massachusetts artist Jxylen appeared on our platform with the release of his debut album, PROJECT MAYHEM. We were captivated by the record’s left-field, layered sonics and pensive lyricism, which often raised concerns about today’s society, criticizing its constructs in a thought-provoking manner. Adding four tracks to the original version of the album, Jxylen now returns with the deluxe version in PROJECT MAYHEM: FIGHT CLUB EDITION, tacking on a set of poignant songs that continue to build upon his cerebral style and darkly atmospheric sound

The additional tracks in question include “STILL TIRED”, “ALIVE!”, “GOD BLESS AMERICA”, and “SKT 3”, featuring Dayvii and KENZO.. These four cuts blend cathartic frustration with well-thought out, frequently lucid lyricism in a way that sets Jxylen apart among many rappers occupying the underground space. A poignant cocktail of powerful aggression and reflective vulnerability are a part of what makes these tracks so memorable, as they take on an emotional richness and depth. In particular, “ALIVE!”, produced by AUR, exemplifies these qualities as Jxylen attacks the ethereal instrumental with much ferocity in his delivery, while uttering highly affecting lines like “when the trauma’s running deep/ so quick to bleed on your own blessings”. “GOD BLESS AMERICA” blends beautiful strings samples with deep bass, raw percussion, and imposing vocals from Jxylen, while he delivers a personal manifesto of sorts with his verses, with lines such as “fuck the world since ’99” capturing the essence of the song’s urgent messaging.

PROJECT MAYHEM: FIGHT CLUB EDITION is an LP that is unafraid to wear its heart on its sleeve and take risks both content-wise and sonically- factors that are often missing from today’s musical landscape. It appears that Jxylen is holding nothing back on the album, rhyming as if the world might end and letting everything off his chest, atop a series of haunting instrumentals that capture this in sound.

Listen to PROJECT MAYHEM: FIGHT CLUB EDITION below:

Connect with Jxylen: Spotify | Instagram | Twitter

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Heily Beatz and Morgan Gold shine on “5309”

Genre-bending Chicago producer and DJ Heily Beatz links with renowned fellow Illinois artist Morgan Gold for a sleek banger called “5309”, which immediately caught our attention for its infectious dance infused, alternative R&B sound. Known as his re-brand “Heily (Hi-lee) Beatz”, the 25 year old Chicago born hip-hop/EDM cross-genre DJ & Producer has been steadily making a name for himself in the underground music scene. From being the Lead Engineer and Producer at 4835 Studios, to collaborating on performances with the ethereal R&B artist Gold on “5309”, his versatility and control over a sonic space is unique and engaging from the intimate setting of phone speakers to relentless DJ sets for crowds of 200k+.

His recent offering “5309” contains airy, atmospheric production centred around glowing keys and reverb-soaked backing vocals drifting atop addictive synth bass and crisp percussion. The instrumentation suits Gold’s signature style to the tee- providing a smooth accompaniment to her sharply-crafted, dream-like melodies. The pairing of Heily’s production and Gold’s vocals showcases their natural chemistry, while providing a hypnotizing sound that sets “5309” apart from many tracks in today’s R&B scene.

On “5309”, the Chicago duo link effortlessly for a catchy, refreshing offering that is sure to be a fan favorite. Give it a listen below and get familiar with rising Chicago producer Heily Beatz.

Listen to “5309” here:

Connect with Heily Beatz: Spotify | Instagram

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Silko Slim shares atmospheric single “The Second Door”

By Todd Anderson

Columbus, Ohio artist Silko Slim has delivered an atmospheric new single called “The Second Door”. Containing expansive, sharply-crafted sonics and infectious vocals from Silko, “The Second Door” makes for an engaging blend of hip-hop and R&B, and has certainly whetted our appetite for more music from him. “The Second Door” caps off a prolific 2022 for Silko, following up singles such as “Magic”, “666irl”, and more.

“The Second Door” contains focused production consisting of catchy, bright synths drifting atop immersive, booming 808s and crisp percussion. Atop the memorable, vivid soundscape, Silko delivers a series of potent melodies that blur the line between hip-hop and R&B. Capped off by a chorus that can be best described as “ear candy”, “The Second Door” is a highly replayable, atmospheric new offering from the Ohio artist.

Listen to “The Second Door” here and get familiar with the fast-rising artist Silko Slim:

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An Interview with GLDMAZE

Dami: What inspired you to start making music?

GLDMAZE: Aw man, I think the biggest inspiration is the hope I can always better myself through making things. I was always interested in science fiction and fantasy, and the mad scientist or master wizard characters, you know. They’re always creating wonder and various augmentations to themselves or reality with their craft. I believe hip-hop has that same power, so I try to become that archetype for rap.

Dami: Who are your biggest inspirations?

GLDMAZE: Kendrick Lamar, Earl Sweatshirt, Travis Scott, and whoever was writing those Veggie Tales songs haha. Those songs had me hype in Sunday school man. We got the DVDs and everything. 

Dami: Apart from sci-fi and fantasy, where else do you grab inspiration from when making music?

GLDMAZE: God mostly, but also from the depths of the madness I sometimes experience as a part of my everyday life. I think that my life so far has been one of contention with psychosis until I eventually snapped in 2020. That snap led me to discover a lot about myself and I’ve been on a healing journey ever since. With the help of my family and good friends, I’ve been able to bounce back and I really feel like I’m back to being myself again. This entire process of healing and learning of self through expression is the biggest inspiration in my music today.

Dami: How do you think that translates to your music?

GLDMAZE: I think the sounds that I curate all have a very immersive feel to them, and I definitely want to give people an escape from their reality through my own storytelling of that same experience. I feel like HYPERNOIR is a statement meant to display my thoughts on the psychotic experience and show that there’s hope for anyone who feels similar as well. My music before HYPERNOIR was kinda esoteric in the sense that it wasn’t as accessible as it is now. As I’ve grown, the music has become more descriptive of my world as a means to invite people in, not alienate them.

Dami: Speaking of HYPERNOIR, can you tell us more about this new album?

GLDMAZE: Yeah man. This album means so much to me. Speaking on it as an introduction to my artistry, I think it displays my unique poetry and versatility on such beautiful, wunderkind production (from my friend and genius producer/artist LESSTHANTHREE and collaborator nyd.nawshis). Conceptually though, it’s really a checkpoint after experiencing all of 2019-2022, which I know for me and most people was a trying time. So, I’m letting you know with this project that I’m right there with ya haha. I moved to college for the first time (I’m 21), dropped out because of a psychotic break, been in recovery, and I’m just now headed back to school with a newfound vigor and spirit that I think can be felt in the music. HYPERNOIR is the state of things: how things were, how things are, how I’d like them to be, and how things will be. It’s a story of redemption after failing hard.

Dami: What do you want listeners to take away from this album?

GLDMAZE: I want listeners to feel like they can come to this album after a long day at work, when people make you feel crazy, or when you want to be alone with your thoughts. I want them to feel where I come from mentally and spiritually, and that I’m on this journey with them. HYPERNOIR is a rap album in the style of a sci-fi film noir piece like the Matrix, and I think everything from the production to my delivery emulates this aesthetic. This is supposed to take you to another world alongside with me. 

Dami: What are 3 words you’ll use to describe this album?

GLDMAZE: Hi-tech, buzz, and ambient.   

Dami: What’s next for you after HYPERNOIR?

GLDMAZE: Man, I got like three writing projects I’m working on. Each kinda different from the last. Most pressing for me though is this poetry collection I’m working on. I’m still working on music though, and best believe I got something up my sleeve for next year. But as of RIGHT now, it’s writing for me.

Dami: Ooouu poetry collection. What’s that about?

GLDMAZE: So, I did an art project from my senior year of high school through sophomore year in college called “Call.Jericho” and it was on my Instagram. It was a collection of pictures that I made using only Snapchat and they came out really fire, super surreal, and colorful. The poetry book is gonna tell the story of what’s happening in those pictures, which is essentially the training of a demigod like Percy Jackson haha.

Dami: How do you balance college and your music career?

GLDMAZE: I barely do man, I barely do haha, but I’m getting better at the time management slowly but surely. I think it’s a mixture of knowing your weaknesses when it comes to productivity and taking small steps to get better. Like I write things down for EVERYTHING and I mean EVERYTHING: phone calls, things, people say to me, all that shit. Some stuffs fall through but its been a good habit that I’m trying to build before I go back to school next semester.

Dami: Apart from balancing college and music, is there any other thing that’s hard to balance?

GLDMAZE: Probably all the ideas that I come up with on a daily basis. I’m an architect in the sense that I come up with these big plans and plays, but without proper strategy and small steps to execute, those plans amount to nothing. What I’m in the process of figuring out now is how to consistently make room for basic things like making my bed or some shit. I be in my head so much I look around and shit is just a mess around me metaphorically and literally. So yeah, adulting is hard, adulting while being a creative is even harder, so it’s a balance for sure.

Dami: What are some dream collabs?

GLDMAZE: I think doing something with JPEGMAFIA in the distant future would be fantastic. He’s just a genius man. I’d like to work with Lancey Foux and MIKE as well.

Listen to GLDMAZE HERE.

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Kidnap shares warm single “When She Gets High”

By Jacob Ezra

New Orleans artist Kidnap has shared a new single called “When She Gets High”. Containing an engaging mixture of lyrically-focused rap and melodious vocals, “When She Gets High” contains a warm and versatile sound that recalls some of Mac Miller’s work, while also standing on its own with its refreshing songwriting. 

Bright guitars opens “When She Gets High”, before organic-sounding percussion and rich bass drop in beneath to give the track an infectious rhythm. Kidnap glides across the vivid production, with smooth rap flows giving way to an uplifting hook that gives the song added replay value.

Take a listen to “When She Gets High” below and get familiar with rising artist Kidnap: