Tag: hip hop

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Finch and Chaos TV share warm single “Count My Luck!”

Philadelphia producer Finch has linked with Chaos TV for a new single called “Count My Luck!”. The track continues a prolific run for Finch that has included recent singles like the engaging “Kingdom” with Jawny’s Room, and “Empty Pockets” with dkj. “Count My Luck” finds him continuing to carve out his niche and sound, utilizing vibrant, expansive soul samples to create an uplifting, energizing soundscape, while mooring an infectious groove with crisp percussion and booming 808s. Chaos TV delivers charismatic, smooth flows atop the buoyant instrumentation while keeping a brisk level of energy that suits the instrumentation. “Count My Luck!” demonstrates a kinetic level of chemistry between the two that translates on to the record, which packs a punch despite its 1 minute 24 second run time. Give “Count My Luck!” a listen below.

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Fatboyshaun shares visual for emotive track “Heart on my Sleeve” (ft. anekah)

South Texas emcee Fatboyshaun has shared a new visual for his song “Heart on my Sleeve”, an emotive standout from his recent project BLOOD ON MY CARHARTT. “The potent cut finds”Heart on my Sleeve” finds Fatboyshaun dropping off an introspective joint that demonstrates his versatility as a lyricist, with compelling lines laid atop textural, soulful production from Cuffedgod. Atop rich, nostalgic vocal samples and graceful keys, Shaun gives a cathartic performance and gets more vulnerable with lines like “ayo im tired of serving j’s on a dayshift, pray they drop my brothers cases, never a question if we gone make it”. Accompanied by sleek backing vocals from anekah as well as an organic-sounding, grooving rhythm section, he sounds comfortable yet delivers his verses with emotion and urgency, making for a gripping listen. The new visual, shot by tg_vision, enhances the track’s laid-back, focused feel with minimalistic yet engaging shots and a charismatic performance from Fatboyshaun.

Watch the new video for “Heart on my Sleeve” here and stream BLOOD ON MY CARHARTT while you’re at it.

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YB shares triumphant album ‘Dreams Don’t Have Deadlines’

By Todd Anderson

Arkansas-born artist YB has dropped off a fresh new album called Dreams Don’t Have Deadlines. YB is what happens when optimism and uplifting content meets melodic trap. He wraps emotional storytelling over hard-hitting 808s and trunk-knocking drums, making for a refreshing blend of sounds and styles. He has now come through with a triumphant, infectious new album called Dreams Don’t Have Deadlines, which finds him further defining his sharply-crafted style with a set of relatable, cathartic bangers.

YB is an artist that has a penchant for combining emotive themes and content with hard-hitting, gritty sounds. Over a tapestry of booming 808s, raw horns, and clasping percussion, he manages to rhyme poetically in a way that feels emotionally captivating for the listener. This contrast helps YB stand out and provides him ground to continue expanding his characteristic style, as made evident by his new project Dreams Don’t Have Deadlines. It sees him building on the positive elements of his past releases, with songs like “HOSTAGE” and “LIGHT” displaying a keen sense of songwriting and focus that translates naturally into YB’s confident vocals and production choices. Songs like the lead single “PRAYING HANDS” push the energy levels to the limit while also providing thought-provoking content. Then, there are tracks like “B.I.G.” that take on a laid-back approach and in doing so demonstrate YB’s overall versatility.

With the release of Dreams Don’t Have Deadlines, YB continues to transcend the medium with his studio work. Over 10 million streams as an independent artist, and a prolific streak of releases has led to him building much momentum in the underground and beyond. Give his latest release Dreams Don’t Have Deadlines a listen below and be sure to connect with YB while you’re at it for more soon.

Connect with YB: Spotify | Instagram | Twitter

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Ki Storii shares R&B-infused self-love anthem, “Taboo”

Ki Storii has returned with a fresh single, titled “Taboo”. With the recent resurgence of rap queens leading the pack and ushering in a new group of rising stars, the door is open for captivating new voices to emerge.  Enter Bronx, NY artist Ki Storii, who is making the charge and consistently proving herself as one of the bubbling young acts in the female rap game. After her 2021 “Whole ‘Nother Level” single topped 100K streams on Spotify and her latest party hit “Shawty Lo” is approaching 50K, the ‘BX Baddie’ is ready to make her mark on 2023 with her new single, an intriguing spin on self-love titled “Taboo”, featuring Brianna Knight.

“Taboo” makes for an enticing, vibrant listen- with retro-tinged yet sleekly modern production and charismatic vocals from Ki and Knight. Colorful vocal samples and electrifying synths drift atop a crisp drum line, recalling the nostalgia of mid-2000s hip-hop and R&B but with a refreshing twist.

“Taboo” finds Ki Storii continue to carve her lane coming out of the East Coast with another strong track that empowers with its lyrical content. Take a listen below and connect with Ki Storii for more.

Follow @Ki.Storii on Instagram | Facebook | Twitter | Youtube

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“stuck” presents a solid new offering from Bemi and Wiseboy Jeremy

Chicago artist Bemi‘s cut “stuck”, featuring New Jersey standout Wiseboy Jeremy recently caught our attention for its infectious, warm sonics and sharply-crafted vocals. Bemi, a Chicago native hailing from the 409, recently dropped his solid new projct Channel Two: Analog, from which “stuck” was a highlight track. On “stuck”, he exhibits natural chemistry with Wiseboy Jeremy atop the amarah production, which shines through for its smoky, laid-back grooves and organic sound.

An engaging blend of alternative R&B and lyrically-inclined hip-hop, “stuck” is a track that is smooth in style and relatable in content. With performances that sound effortless and yet immaculately crafted and focused, Bemi and Jeremy drop off a warm new joint that inspires the listener to reflect on their position in life. Give it a listen below and stream Bemi’s Channel Two: Analog while you’re at it.

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G.Hall shares versatile single “Move Around”

Indianapolis artist G.Hall has shared a fresh single called “Move Around”. Continuing his run of refreshing, hard-hitting joints that are often versatile in style, “Move Around” blends hip-hop and R&B influences into a dark concoction of atmospheric production and menacing yet catchy vocals. It contains potent production from Say Cheezz that creates an aptly ominous backdrop for G.Hall with its smoky, reverb-soaked synths and raw rhythm section. As a vocalist, he finds a solid medium between hip-hop flows and catchy R&B vocals with his melodic flourishes. Capped off by a hook that can best be described as an “ear-worm”, “Move Around” makes for a potent track from the Indianapolis artist that contains much replay value.

Take a listen to “Move Around” here and further familiarize yourself with G.Hall, a prolific artist coming out of the underrated Indianapolis scene.

Connect with G.Hall: Spotify | YouTube | Instagram

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Rob V shares vivid new video for “Can’t Keep Loving You”

DMV artist Rob V has dropped off a new video for his song “Can’t Keep Loving You”. The refreshing, crisp visual captures the song’s graceful feel, enhancing its vivid production and sharp, thoughtful lyricism. Featuring warm, saturated shots depicting natural landscapes that reflect its organic sonics, as well as a laid-back yet confident performance from Rob V, “Can’t Keep Loving You” is a cohesive and poignant release from the rising DMV artist.

“Can’t Keep Loving You” features elegant production centred around breezy guitars and rich vocal samples that drift alongside potent strings, giving the track a refined feel. Punchy, airy drums and rich bass moor the track and provide a solid foundation for Rob’s dynamic flows, as he keeps the listener on their toes throughout with gymnastic rhyme patterns laced with vibrant lyricism.

Give the new video for “Can’t Keep Loving You” a watch below.

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Fatboyshaun shares engaging new visual for “Selassie”

South Texas-based artist Fatboyshaun has shared a new video for his track “Selassie”. The soulful, gritty new joint appears ahead of the release of his forthcoming project Blood on My Carhartt, and it provides a tasteful preview of the new record. Following up his well-received collaborative album Evil Twin with Ricky Mapes last year, the release of the new single and video (shot by tg_vision) finds him in his lane lyrically and vocally, underscored by textural production from A U R.

Hypnotic, raw soul samples consisting of swirling vocals, sparkling keys, and organic-sounding percussion underscore Fatboyshaun’s sharp flows. His lyricism is vivid and clever, beckoning many re-listens to catch everything, while his vocal presence on the mic captivates as he delivers dynamic verses. Laid-back yet brimming with confidence, “Selassie” presents an enticing preview of Fatboyshaun’s upcoming project Blood on My Carhartt.

Give the new video for “Selassie” a watch here:

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Hatter shares potent new release, “Careful” (prod. Saffa Ghorishi) [Video]

Brighton artist Hatter has shared a a new visual for his single, “Careful”, produced by Saffa Ghorishi. A trailblazer in Brighton’s hip-hop scene, and always testing the limits as to what he can create within the rap domain- Hatter is a potent lyricist and experimental producer whose charismatic energy lights up when taking to the stage. London-born and Brighton-based, Hatter’s play on words, memorable hooks, and versatile production make him an artist paving his own lane. His latest release, “Careful”, continues his run with sharp flows, clever lyricism, and an infectious soundscape provided by long-time collaborator Saffa Ghorishi, accompanied by a strong new visual that is cinematic in tone and engaging in style.

“Careful”’s rhythmic, rich production creates a solid groove for Hatter’s confident yet laid-back rhymes, as he shines on the mic with a strong presence and carefully crafted verses. Backed by Ghorishi’s shimmering production, he sounds natural and in his lane, as he effortlessly handles the beat with an unassuming dominance. The new visual, directed by Mr. Cheal, takes it a step further with cinematic shots, focused editing, and engaging classic movie references to boot. “Careful” is an all-out affair of witty rhymes, memorable production, and poignant visuals that make it another strong outing from this Brighton mainstay.


Give the visual for “Careful” a watch here and be sure to connect with Hatter while you’re at it.

Connect with Hatter: Spotify | Instagram | Twitter

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Galaxy Francis drops two-pack, announces upcoming EP

Chicago rapper-singer Galaxy Francis, formerly known as L.A. VanGogh, has carved out his own lane within the local music scene due to his uncanny ability to straddle the line between hip-hop and R&B with ease. When he’s not churning out thought-provoking, Saba-esque rap verses, he’s laying down warm, lively vocal performances, usually over jazz-tinged production topped off with grandiose horn sections and dense vocal layering.

On past projects such as his Everything Is Subjective series, Francis explores the depths of his inner-psyche, his relationships with vice, existentialism and his past.

But after undergoing a name change, announcing the May 24 release of his upcoming EP iNNERGALACTIC: Side A and dropping two brand new singles from the project, Francis is entering a new era as an artist, one where he invites us to blast off with him into outer space.

On this brand new two-pack, Francis trades the jazzy, neo-soul sounds that usually pop up in his music for a more accessible, laidback trap sound without compromising quality.

The first track, “Skip To My Lou,” is a hazy, smoked out tribute to the city of St. Louis. Assembled with minimalism in mind, the instrumental is sparse, consisting of little more than a scampering set of 808s and some broad, watery synths, setting up the perfect backdrop for Francis to deliver his breathy, intimate vocal lines.

“Smoking this, Reefer Alston hit the skip 2 my Lou,” Francis spits in the track’s first line, a poignant triple-entendre referencing his home city while comparing his love of smoking weed to NBA player Rafer Alston’s ball skills that earned him the nickname that also happens to be the track’s namesake. 

The second track, “SOURFACES,” is way busier despite its brief runtime of one minute and 20 seconds. Over a more piercing, urgent set of synths, Francis brings a much faster flow and a lot more clever lines: 

“I can see the future like Eminem in 8 Mile,” he raps in the second half of the song.

While some fans might be taken aback at first by the sudden change in sonic aesthetics, Francis sounds right at home going over these synth-driven trap instrumentals.

Stream “Skip 2 My Lou/SOURFACES” here.