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Blog Roundhouse Features

David Naïve Carves Out His Own Sound on “SCARED, FOREVER”

At 17, most people are still figuring out how to articulate who they are to themselves, let alone translating that internal chaos into an uncompromising sonic world. For New York-based rapper, singer, and producer David Naïve, that process of self-documentation has been quietly building since childhood. Having picked up writing at 12 and self-teaching production at 14, Naïve’s approach to music isn’t a hobby—it’s an unfiltered archive of his teenage years.

His latest release, “SCARED, FOREVER,” acts as a loud, abrasive, and deeply introspective entry point into his vision. Moving away from polished formulas, the track pulls heavily from the raw, experimental textures of artists like Earl Sweatshirt, merging experimental hip-hop with noise and drone-music sonics. Anchored by organic, hypnotic percussion, the production creates a dense, atmospheric wall of sound. Over this heavy instrumentation, Naïve delivers vulnerable, descriptive vocals, turning his insecurities and self-critique into something sharp, melodic, and impossible to ignore.

The single serves as the lead-in to his upcoming debut album, Maiden, Post-Vïe. Scope and experimentation define the project, which Naïve built as a document of the last five years of his life. Across the tracklist, the album shifts intentionally through contrasting landscapes—from cold, ethereal EDM to manic rage metal and ambient, experimental rap. Underneath the genre jumps lies a central narrative: a candid exploration of love, loss, identity, depression, and gradual recovery.

With “SCARED, FOREVER,” David Naïve establishes himself as a completely self-reliant artist willing to embrace sound at its most volatile, capturing the weight of growing up in real time.

Listen to “SCARED, FOREVER” here now:

Connect with David NaïveInstagram

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Isaiah Moore, Ric Wilson, and NOVAK Music Join Forces on “Whip It / Flip It”

Texas artist Isaiah Moore has teamed up with Chicago artist Ric Wilson and NOVAK Music for “Whip It / Flip It”, produced by Tweak on the Beat and Ned.Beats. Their newest collaboration brings together hip-hop, R&B, funk and dance influences over an energetic, groove-driven production.

For Isaiah Moore, the release marks an important step in his growing career. Born and raised in Texas, Moore first started getting seriously involved with music at around 15, drawing inspiration from hip-hop and R&B. His influences range from Tupac, J. Cole, Joyner Lucas and Nipsey Hussle to a wide range of artists from the Texas music scene. That mix of influences comes through in his approach, which moves comfortably between rap, melody and more personal songwriting. As the newest artist to join NOVAK Music, he is entering a new chapter with a team focused on collaboration and experimentation.

“Whip It / Flip It” came together through NOVAK Music founder and producer Tweak on the Beat, who connected Moore with Chicago artist Ric Wilson. Wilson, who recently performed at Lollapalooza, brings his own distinctive style to the record, complementing Moore’s delivery and giving the track a natural back-and-forth energy.

The production comes from the NOVAK Music team, specifically Noah Edwards, known as Ned.Beats, and Tweak on the Beat. The label currently operates with four producers — Tweak, Tracy Winckler, Ned.Beats and Josh Karban (JxK) — alongside Moore as its artist. The idea is straightforward: build a space where producers and artists from different backgrounds can work together and release music without being boxed into one particular sound.

That approach is especially clear on “Whip It / Flip It.” The production is colorful and layered, built around infectious grooves, bright synths and a steady rhythmic pulse. Smooth vocal passages sit alongside confident rap flows, giving the song a fluid feel that shifts naturally between genres rather than sticking to one lane.

The result is an upbeat, polished collaboration that brings dance, hip-hop, R&B and funk into the same space. “Whip It / Flip It” introduces Isaiah Moore to a wider audience while offering a look at what NOVAK Music is building around him.

With a publishing agreement through EMPIRE, NOVAK Music is positioning itself for a broader run of artist and producer collaborations. “Whip It / Flip It” is an early example of that vision — a record built around different voices, different influences and a willingness to let the music move wherever it needs to go.

Listen to “Whip It / Flip It” here now:

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Omari Alltimer and MNTRY’s ‘Research Forest’: A Love Letter to Home

There are places we leave behind without ever really leaving them. They stay in the music we make, the way we speak, and the memories that surface when we least expect them. For Omari Alltimer, that place is Research Forest, Texas.

Created alongside producer MNTRY, Research Forest is an album about memory, identity, and the process of finding your way back to a place you once called home. It isn’t simply a record about Texas, but more expansive, discussing what happens when distance changes the way you understand where you came from.

Born and raised in Little Rock, Arkansas, Alltimer came of age in the suburbs of Houston, a transition he describes as a culture shock. In his own terms, if Houston was Game of Thrones’ King’s Landing, The Woodlands was its “bougie Winterfell.” It was home, but it was also a place where he often felt caught between worlds.

As one of very few Black people in a predominantly white community, Alltimer experienced a sense of isolation that would later become central to the project. At the time, he didn’t fully appreciate the culture surrounding him. It was only after leaving Texas for his freshman year of college in San Francisco that he realized how much he missed home.

That realization became part of the inspiration for Research Forest—the kind of album Alltimer wishes he had growing up. A project for anyone who has ever felt out of place, misunderstood, or somewhere between identities.

MNTRY’s production gives the project that sense of space. On “4sho,” airy, layered instrumentation creates an atmospheric entrance for Alltimer’s sharp and reflective writing. “Feeder Rd.” moves into smoother territory, pairing lush production with sleek bars, while “Focus” brings some of the album’s most detailed storytelling against MNTRY’s ethereal, gritty sound.

The closing track, “The Cost,” provides a sense of resolution. Triumphant flows meet powerful production, bringing the project to a fitting conclusion.

Research Forest is a record about evolution—and about the places that remain part of us long after we’ve left them.

“Reality is a laboratory,” Alltimer says. “Since escaping the woods of Texas I keep finding myself there.”

Research Forest may be a physical place, but on this album it becomes something larger: a memory, a feeling, and a piece of home that never really disappeared.

Listen to ‘Research Forest’ here now:

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Omari AllTimer and alex. connect for poignant new EP ‘Transatlantic Wave Trade’

American emcee Omari AllTimer and British producer alex. have shared a new EP called Transatlantic Wave Trade. Their latest offering is a poignant cross-continental collaboration rooted in and reverent for hip-hop culture, which has long connected communities across oceans despite vastly different lived experiences.

For Omari AllTimer, Hip-Hop is not a genre or an aesthetic, but rather, a lifelong language. His writing reflects someone shaped by experience, history, and the culture that raised him. Every verse carries the perspective of a man who has lived many lives within one timeline, balancing sharp observation with personal reflection.

Across the Atlantic, alex. approaches the culture through production steeped in reverence for Hip-Hop’s foundation. His sample-driven sound draws from the warmth and soul of the 90s Golden Era while pushing those textures into a contemporary space, creating music that feels both timeless and forward-looking.

Their stories are different. Their realities are different. Yet the frequencies meet. From one continent to another, waves are exchanged.

The title Transatlantic Wave Trade intentionally flips one of history’s darkest chapters on its head. Where people were once violently transported across the Atlantic, culture now travels freely through music. What was once a route of oppression becomes a pathway for artistic dialogue, collaboration, and shared identity.

Hip-Hop remains one of America’s most influential cultural exports—born from Black creativity and carried around the world. Its language, style, and innovation continue to shape global culture, even as they are often borrowed without acknowledgement of the communities that created them. Transatlantic Wave Trade stands as both a celebration of that influence and a reminder of where it comes from.

This project makes for a poignant an exchange between kindred spirits separated by geography but connected through rhythm, history, and a shared commitment to the culture.

Selected Tracks

“owl city freestyle” opens the project with cinematic intent, pairing elegant, hard-hitting samples and rich percussion beneath Omari AllTimer’s razor-sharp lyricism. It serves as both introduction and statement of purpose.

“away team” expands the project’s emotional scope through warm, layered sampling, immersive rhythms, and heartfelt verses that capture the feeling of finding connection far from home.

“in the present” closes the featured selection with introspective writing over shimmering, soulful production, grounding the project in reflection, resilience, and clarity.

Connect with Omari Alltimer: Instagram | X

Connect with alex.: Instagram

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Dom Cruz shares energizing video for “VOID // FREEDOM”, from ‘PAST LIVES II’ EP

After years of personal evolution, artistic refinement, and life experiences that have shaped his perspective, Brooklyn-born emcee, producer, and creative Dom Cruz continues a prolific 2026 with PAST LIVES II — a powerful new EP created with producer Blkgod9 that captures the weight of transformation, the scars of the past, and the freedom found through self-expression.

Raised in New York and shaped by a journey that carried him through Atlanta, Florida, Portland, and Southern California, Dom Cruz’s artistry has been built through movement, connection, and reflection. Each chapter of his life has left an imprint on his music, allowing him to create from a place that feels deeply personal yet universally relatable. His travels have expanded not only his creative palette but also his understanding of himself, and those experiences continue to fuel the honesty that defines his work.

Blending poetic lyricism with raw emotion, Cruz crafts music that exists somewhere between confession and cinematic storytelling. His sound is rooted in authenticity, vulnerability, and darkness — elements he describes as “all wrapped up into poetry.” Whether delivering intricate verses behind the microphone or building immersive soundscapes from behind the boards, Cruz approaches every record with intention, creating a direct and emotional connection between artist and listener.

Following a six-year hiatus spent navigating the responsibilities of life, Dom Cruz continues his return with a sharpened perspective and renewed purpose. PAST LIVES II serves as a testament to that growth — a body of work that reflects the lessons learned, battles fought, and experiences that have shaped the artist he has become.

The EP’s closing track, “VOID // FREEDOM,” brings that journey full circle. Produced by Blkgod9, Teedoteinsof, and Nopal, the song pairs hypnotic production with a commanding performance from Cruz, creating a soundscape that feels both atmospheric and urgent. The accompanying visual captures the track’s intensity through striking nocturnal imagery and focused energy, showcasing Cruz’s ability to transform personal reflection into a powerful visual and sonic experience.

Across PAST LIVES II, each track reveals another layer of Cruz’s evolution. The opening track, “FUCC ICE FREE FRANKIE JAX,” immediately sets the tone with its unfiltered energy, balancing grit with moments of introspection. “HIGHWAY 1” offers a shift in atmosphere, bringing soulful, warm production and laid-back flows that create a sense of movement and reflection. The title track “PAST LIVES II” stands as one of the project’s defining moments, combining haunting soul samples, organic percussion, and heartfelt lyricism into a deeply resonant statement.

PAST LIVES II represents a continuation of Dom Cruz’s story — an exploration of identity, memory, and the experiences that shape who we become. With a renewed voice and a willingness to embrace both the light and darkness within his art, Cruz proves that time away only strengthened his craft. Now, he’s returning with purpose, perspective, and a story worth hearing.

Watch the video for “VOID // FREEDOM” here:

Listen to PAST LIVES II on Bandcamp HERE and purchase it to support the artists directly.

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Simya and LQQPMASTER release potent new album ‘Crimson Chanel’

Collaboration has always been one of the defining qualities of New York’s underground hip-hop scene, and Crimson Chanel is built with that same sense of shared creativity. The joint project from Inwood rapper Simya and Queens producer LQQPMASTER brings together introspective songwriting and cinematic production, resulting in an album that feels immersive without losing its raw edge. Rather than chasing trends, the pair focus on atmosphere, storytelling, and the chemistry they’ve developed through New York’s independent music community.

Simya has steadily carved out his own space within the city’s underground, blending hip-hop with influences that stretch beyond any single genre. His songs often blur the line between vulnerability and confidence, drawing from personal experiences involving addiction, family, and self-discovery while maintaining the sharp personality that runs through his writing. There’s an ease to his delivery that makes even his most reflective moments feel conversational, allowing the emotion behind each verse to unfold naturally.

That approach is matched by LQQPMASTER’s production- built around detailed sampling and textured arrangements, his instrumentals create room for every performance to breathe while adding a cinematic quality that ties the record together. Instead of dominating the songs, the production works alongside Simya’s writing, creating a balance that keeps the project cohesive from beginning to end.

The album establishes its identity immediately with “Faux Pase” and “Slyther,” two tracks that introduce its layered production and focused performances. “The Golden Ratio” slows the pace with expansive instrumentation and a more relaxed atmosphere before “Conjunction,” featuring Teatea, adds soulful orchestration and memorable vocal contributions. One of the project’s emotional high points arrives with “Chrysalis,” featuring Jay Cinema, where ethereal production meets some of the album’s most powerful performances. Closing track “Hit First” shifts into trap-inspired percussion and melodic vocals, giving the album a fresh burst of energy while broadening its sonic range.

Throughout Crimson Chanel, Simya and LQQPMASTER demonstrate a creative partnership built on trust and a shared artistic vision. The album embraces the spirit of New York’s underground without relying on nostalgia, instead presenting a sound that feels current, personal, and distinctly their own. It’s a focused collaboration that highlights the strengths of both artists while leaving a lasting impression through its thoughtful songwriting, rich production, and understated confidence.

Listen to Crimson Chanel here:

Connect with Simya HERE.

Connect with LQQPMASTER HERE.

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Cashus King and Big O reflect on transformation with ‘Water to Wine’

Los Angeles lyricist Cashus King and London-based producer Big O come together on Water to Wine, a collaborative album rooted in reflection, resilience, and personal evolution. Raised in the creative heart of Leimert Park, Cashus King has built his reputation on thoughtful storytelling and an unwavering commitment to authenticity, drawing on hip-hop’s tradition of using music as a vehicle for self-expression and social reflection. Big O, whose career has taken him from the American South to London, complements that vision with soulful, sample-rich production that blends classic hip-hop foundations with a contemporary, genre-fluid approach. Together, they craft a project inspired by the symbolic journey from water to wine, exploring how life’s struggles can become catalysts for growth and renewal.

Across the album, Big O’s warm, cinematic production provides the backdrop for Cashus King’s introspective lyricism, creating a sound that feels both grounded and expansive. “LikWid (Big Fish)” opens with uplifting grooves and confident flows, while “Precipitation,” featuring Fashawn, pairs orchestral textures with vivid, thought-provoking verses. The jazz-infused “Drownin'” offers one of the album’s most vulnerable moments, balancing ethereal instrumentation with reflective storytelling, before “Drippin (Soakin Poems)” shifts the mood through atmospheric electronic flourishes and dynamic vocal performances. Gospel influences emerge on “Holy Water,” where elegant instrumentation underscores deeply considered lyricism, and closing track “Wine” brings the record to an uplifting conclusion, reinforcing its message of perseverance and self-discovery.

With Water to Wine, Cashus King and Big O deliver a cohesive body of work that finds strength in honesty and transformation. Blending soulful production with compelling storytelling, the album offers a thoughtful meditation on growth, reminding listeners that resilience is often forged through life’s greatest challenges.

Listen to Water to Wine here:

Get Water to Wine HERE on Bandcamp and support the artists directly.

Connect with Cashus King: Instagram

Connect with Big O: Instagram

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Ohzhe Explores Purpose, Perseverance, and Self-Discovery on New EP ‘GLORY’

Ohzhe continues to carve out a distinctive lane with GLORY, a deeply reflective and sonically rich EP that balances introspective lyricism with soulful, immersive production. Rooted in real-life experiences and driven by themes of growth, purpose, and legacy, the project showcases an artist committed to transforming personal insight into universally resonant storytelling.

Throughout GLORY, Ohzhe blends sharp lyricism with a carefully curated sound palette that feels both expansive and grounded. Ethereal sampling, warm soul influences, and raw textures intertwine to create a listening experience that is elegant yet impactful. The production moves effortlessly between moments of contemplation and intensity, providing the perfect foundation for Ohzhe’s thoughtful narratives and commanding delivery.

The project opens with “BORN,” a cathartic introduction that immediately establishes the EP’s emotional depth. Over rich, organic rhythms and layered samples, Ohzhe delivers deeply personal reflections with a captivating flow, setting the tone for the journey ahead.

“ART MONEY” expands the project’s sonic range, blending subtle trap influences with jazzy, atmospheric instrumentation. The track highlights Ohzhe’s versatility as he navigates themes of ambition, creativity, and value with confidence and precision.

One of the EP’s standout moments arrives with “BY FORCE BY FIRE,” a powerful display of focus and determination. The track’s expansive production feels both refreshing and meticulously crafted, while Ohzhe’s energized performance reinforces the project’s recurring themes of resilience and self-belief.

“SUNSHINE” introduces a compelling contrast, pairing bright melodic elements with an underlying sense of tension and mystery. The result is a dynamic backdrop for some of Ohzhe’s most introspective songwriting, as he explores personal growth with honesty and conviction.

The EP concludes with its title track, “GLORY,” a meditative and poignant closer that brings the project’s core ideas into sharp focus. Through vivid imagery and heartfelt lyricism, Ohzhe reflects on authenticity, perseverance, and the pursuit of a meaningful legacy, leaving listeners with a lasting impression.

With GLORY, Ohzhe delivers a cohesive and compelling body of work that highlights both his artistic vision and his growth as a storyteller. Balancing soulful production with thoughtful lyricism, the EP stands as a powerful statement from an artist determined to inspire through both his music and his message.

Listen to GLORY here now:

Watch the music video for “GLORY” here now:

Connect with Ohzhe: Instagram | X

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Seth Narley and Creestal share cinematic, raw EP ‘Prada Cups In The South Of France’

Seth Narley has been steadily building one of the more compelling catalogs coming out of New York’s underground scene. Born in the Bronx, the rapper has spent the last year maintaining an impressive pace, balancing consistency with artistic growth. Releases like Oceans Mondrian and Welcome to the Show showcased his ability to pair vivid writing with focused execution, and his latest collaborative EP with producer CreestalPrada Cups In The South Of France, feels like another confident step forward.

Across four tracks, Narley and Creestal strike a balance between luxury and grit, creating a project that feels equally cinematic and streetwise. Creestal’s production provides a rich backdrop throughout, blending soulful textures, orchestral flourishes, and understated elegance while leaving plenty of room for Narley’s storytelling to take center stage.

The EP opens with “Jordan On The Baseline,” immediately establishing the project’s atmosphere. Creestal’s sweeping instrumental carries a sense of grandeur without losing its edge, while Narley fills the space with sharp observations and imagery-driven lyricism. The result is a track that feels polished but never overly refined, maintaining the raw energy that runs throughout the project.

That momentum continues on “2 Thousand On The Knicks,” where warm guitar melodies and a driving rhythm section create one of the EP’s most memorable soundscapes. Narley sounds particularly comfortable here, delivering verses with the confidence of an artist fully settled into his style. There’s an ease to his performance that makes the song feel effortless without sacrificing precision.

“Unplugged From Marseille” shifts the mood. Creestal leans into a hazier, more relaxed palette, allowing the record to breathe while expanding its emotional range. Narley adapts naturally, weaving together vivid scenes and charismatic bars that make the track feel less like a detour and more like another layer of the project’s identity.

Closing track “Celia Cruz & Gloria Estefan” brings everything together. Soulful production, subtle gospel influences, and a sense of nostalgia give the song a reflective quality, while Narley’s measured delivery ties the EP’s themes together. It serves as a fitting conclusion to a project built on contrasts—luxury and struggle, refinement and rawness, ambition and reflection.

At just four tracks, Prada Cups In The South Of France doesn’t overstay its welcome. Instead, it leaves a lasting impression through strong chemistry between artist and producer, thoughtful songwriting, and a clear creative vision. For Seth Narley, it’s another reminder that consistency doesn’t have to come at the expense of quality. If anything, this latest release suggests he’s only getting sharper with each project.

Listen to Prada Cups In The South Of France here now:

Listen on more platforms HERE.

Connect with Seth Narley: Spotify | Instagram | Twitter

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Newman Bridges Potential and Action on ‘dust on the akai’

Newman has released a new project, titled dust on the akai. The Raleigh, North Carolina rapper, producer, and creative director has been carving out a space that feels deliberate, grounded in soulful production and clear, introspective writing. His music leans into bigger questions- purpose, faith, self-direction- without losing the grit and sharpness of high-level rap.

His new project dust on the akai centers on a simple but effective idea: the untouched MPC, sitting there collecting dust. It’s a metaphor that lands quickly- the gap between knowing what you’re capable of and actually doing something about it. This project lives right in that moment, when hesitation starts to wear thin and action takes over.

“LAYAWAY” opens things on a warm, focused note, with rich sampling and steady bass setting the tone. From there, “US OPEN” picks up the pace, bringing sharper energy and tighter flows over bright, driving production. “WITHOUT WORK,” featuring Mimo Thomas, stretches things out a bit more, layering guitars and strings over drums that keep it moving without losing that reflective edge.

A standout comes with “WHILE THE CLOCK IS TICKING,” where orchestral elements meet boom-bap drums. It feels urgent without being overdone, giving Newman space to deliver some of his most direct writing on the project. “EVERLASTING,” featuring Ko, shifts slightly into a more melodic pocket, adding some bounce without breaking the overall mood.

By the time “LANDSCAPE” closes things out, the vision feels complete- cinematic, but still personal. dust on the akai makes for a poignant project that is focused, intentional, and honest about where Newman is right now. More importantly, it sounds like someone who’s done waiting. Check out dust on the akai on our platform now.

Connect with Newman HERE.