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Dom Cruz shares energizing video for “VOID // FREEDOM”, from ‘PAST LIVES II’ EP

After years of personal evolution, artistic refinement, and life experiences that have shaped his perspective, Brooklyn-born emcee, producer, and creative Dom Cruz continues a prolific 2026 with PAST LIVES II — a powerful new EP created with producer Blkgod9 that captures the weight of transformation, the scars of the past, and the freedom found through self-expression.

Raised in New York and shaped by a journey that carried him through Atlanta, Florida, Portland, and Southern California, Dom Cruz’s artistry has been built through movement, connection, and reflection. Each chapter of his life has left an imprint on his music, allowing him to create from a place that feels deeply personal yet universally relatable. His travels have expanded not only his creative palette but also his understanding of himself, and those experiences continue to fuel the honesty that defines his work.

Blending poetic lyricism with raw emotion, Cruz crafts music that exists somewhere between confession and cinematic storytelling. His sound is rooted in authenticity, vulnerability, and darkness — elements he describes as “all wrapped up into poetry.” Whether delivering intricate verses behind the microphone or building immersive soundscapes from behind the boards, Cruz approaches every record with intention, creating a direct and emotional connection between artist and listener.

Following a six-year hiatus spent navigating the responsibilities of life, Dom Cruz continues his return with a sharpened perspective and renewed purpose. PAST LIVES II serves as a testament to that growth — a body of work that reflects the lessons learned, battles fought, and experiences that have shaped the artist he has become.

The EP’s closing track, “VOID // FREEDOM,” brings that journey full circle. Produced by Blkgod9, Teedoteinsof, and Nopal, the song pairs hypnotic production with a commanding performance from Cruz, creating a soundscape that feels both atmospheric and urgent. The accompanying visual captures the track’s intensity through striking nocturnal imagery and focused energy, showcasing Cruz’s ability to transform personal reflection into a powerful visual and sonic experience.

Across PAST LIVES II, each track reveals another layer of Cruz’s evolution. The opening track, “FUCC ICE FREE FRANKIE JAX,” immediately sets the tone with its unfiltered energy, balancing grit with moments of introspection. “HIGHWAY 1” offers a shift in atmosphere, bringing soulful, warm production and laid-back flows that create a sense of movement and reflection. The title track “PAST LIVES II” stands as one of the project’s defining moments, combining haunting soul samples, organic percussion, and heartfelt lyricism into a deeply resonant statement.

PAST LIVES II represents a continuation of Dom Cruz’s story — an exploration of identity, memory, and the experiences that shape who we become. With a renewed voice and a willingness to embrace both the light and darkness within his art, Cruz proves that time away only strengthened his craft. Now, he’s returning with purpose, perspective, and a story worth hearing.

Watch the video for “VOID // FREEDOM” here:

Listen to PAST LIVES II on Bandcamp HERE and purchase it to support the artists directly.

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Simya and LQQPMASTER release potent new album ‘Crimson Chanel’

Collaboration has always been one of the defining qualities of New York’s underground hip-hop scene, and Crimson Chanel is built with that same sense of shared creativity. The joint project from Inwood rapper Simya and Queens producer LQQPMASTER brings together introspective songwriting and cinematic production, resulting in an album that feels immersive without losing its raw edge. Rather than chasing trends, the pair focus on atmosphere, storytelling, and the chemistry they’ve developed through New York’s independent music community.

Simya has steadily carved out his own space within the city’s underground, blending hip-hop with influences that stretch beyond any single genre. His songs often blur the line between vulnerability and confidence, drawing from personal experiences involving addiction, family, and self-discovery while maintaining the sharp personality that runs through his writing. There’s an ease to his delivery that makes even his most reflective moments feel conversational, allowing the emotion behind each verse to unfold naturally.

That approach is matched by LQQPMASTER’s production- built around detailed sampling and textured arrangements, his instrumentals create room for every performance to breathe while adding a cinematic quality that ties the record together. Instead of dominating the songs, the production works alongside Simya’s writing, creating a balance that keeps the project cohesive from beginning to end.

The album establishes its identity immediately with “Faux Pase” and “Slyther,” two tracks that introduce its layered production and focused performances. “The Golden Ratio” slows the pace with expansive instrumentation and a more relaxed atmosphere before “Conjunction,” featuring Teatea, adds soulful orchestration and memorable vocal contributions. One of the project’s emotional high points arrives with “Chrysalis,” featuring Jay Cinema, where ethereal production meets some of the album’s most powerful performances. Closing track “Hit First” shifts into trap-inspired percussion and melodic vocals, giving the album a fresh burst of energy while broadening its sonic range.

Throughout Crimson Chanel, Simya and LQQPMASTER demonstrate a creative partnership built on trust and a shared artistic vision. The album embraces the spirit of New York’s underground without relying on nostalgia, instead presenting a sound that feels current, personal, and distinctly their own. It’s a focused collaboration that highlights the strengths of both artists while leaving a lasting impression through its thoughtful songwriting, rich production, and understated confidence.

Listen to Crimson Chanel here:

Connect with Simya HERE.

Connect with LQQPMASTER HERE.

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Cashus King and Big O reflect on transformation with ‘Water to Wine’

Los Angeles lyricist Cashus King and London-based producer Big O come together on Water to Wine, a collaborative album rooted in reflection, resilience, and personal evolution. Raised in the creative heart of Leimert Park, Cashus King has built his reputation on thoughtful storytelling and an unwavering commitment to authenticity, drawing on hip-hop’s tradition of using music as a vehicle for self-expression and social reflection. Big O, whose career has taken him from the American South to London, complements that vision with soulful, sample-rich production that blends classic hip-hop foundations with a contemporary, genre-fluid approach. Together, they craft a project inspired by the symbolic journey from water to wine, exploring how life’s struggles can become catalysts for growth and renewal.

Across the album, Big O’s warm, cinematic production provides the backdrop for Cashus King’s introspective lyricism, creating a sound that feels both grounded and expansive. “LikWid (Big Fish)” opens with uplifting grooves and confident flows, while “Precipitation,” featuring Fashawn, pairs orchestral textures with vivid, thought-provoking verses. The jazz-infused “Drownin'” offers one of the album’s most vulnerable moments, balancing ethereal instrumentation with reflective storytelling, before “Drippin (Soakin Poems)” shifts the mood through atmospheric electronic flourishes and dynamic vocal performances. Gospel influences emerge on “Holy Water,” where elegant instrumentation underscores deeply considered lyricism, and closing track “Wine” brings the record to an uplifting conclusion, reinforcing its message of perseverance and self-discovery.

With Water to Wine, Cashus King and Big O deliver a cohesive body of work that finds strength in honesty and transformation. Blending soulful production with compelling storytelling, the album offers a thoughtful meditation on growth, reminding listeners that resilience is often forged through life’s greatest challenges.

Listen to Water to Wine here:

Get Water to Wine HERE on Bandcamp and support the artists directly.

Connect with Cashus King: Instagram

Connect with Big O: Instagram

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Ohzhe Explores Purpose, Perseverance, and Self-Discovery on New EP ‘GLORY’

Ohzhe continues to carve out a distinctive lane with GLORY, a deeply reflective and sonically rich EP that balances introspective lyricism with soulful, immersive production. Rooted in real-life experiences and driven by themes of growth, purpose, and legacy, the project showcases an artist committed to transforming personal insight into universally resonant storytelling.

Throughout GLORY, Ohzhe blends sharp lyricism with a carefully curated sound palette that feels both expansive and grounded. Ethereal sampling, warm soul influences, and raw textures intertwine to create a listening experience that is elegant yet impactful. The production moves effortlessly between moments of contemplation and intensity, providing the perfect foundation for Ohzhe’s thoughtful narratives and commanding delivery.

The project opens with “BORN,” a cathartic introduction that immediately establishes the EP’s emotional depth. Over rich, organic rhythms and layered samples, Ohzhe delivers deeply personal reflections with a captivating flow, setting the tone for the journey ahead.

“ART MONEY” expands the project’s sonic range, blending subtle trap influences with jazzy, atmospheric instrumentation. The track highlights Ohzhe’s versatility as he navigates themes of ambition, creativity, and value with confidence and precision.

One of the EP’s standout moments arrives with “BY FORCE BY FIRE,” a powerful display of focus and determination. The track’s expansive production feels both refreshing and meticulously crafted, while Ohzhe’s energized performance reinforces the project’s recurring themes of resilience and self-belief.

“SUNSHINE” introduces a compelling contrast, pairing bright melodic elements with an underlying sense of tension and mystery. The result is a dynamic backdrop for some of Ohzhe’s most introspective songwriting, as he explores personal growth with honesty and conviction.

The EP concludes with its title track, “GLORY,” a meditative and poignant closer that brings the project’s core ideas into sharp focus. Through vivid imagery and heartfelt lyricism, Ohzhe reflects on authenticity, perseverance, and the pursuit of a meaningful legacy, leaving listeners with a lasting impression.

With GLORY, Ohzhe delivers a cohesive and compelling body of work that highlights both his artistic vision and his growth as a storyteller. Balancing soulful production with thoughtful lyricism, the EP stands as a powerful statement from an artist determined to inspire through both his music and his message.

Listen to GLORY here now:

Watch the music video for “GLORY” here now:

Connect with Ohzhe: Instagram | X

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Seth Narley and Creestal share cinematic, raw EP ‘Prada Cups In The South Of France’

Seth Narley has been steadily building one of the more compelling catalogs coming out of New York’s underground scene. Born in the Bronx, the rapper has spent the last year maintaining an impressive pace, balancing consistency with artistic growth. Releases like Oceans Mondrian and Welcome to the Show showcased his ability to pair vivid writing with focused execution, and his latest collaborative EP with producer Creestal, Prada Cups In The South Of France, feels like another confident step forward.

Across four tracks, Narley and Creestal strike a balance between luxury and grit, creating a project that feels equally cinematic and streetwise. Creestal’s production provides a rich backdrop throughout, blending soulful textures, orchestral flourishes, and understated elegance while leaving plenty of room for Narley’s storytelling to take center stage.

The EP opens with “Jordan On The Baseline,” immediately establishing the project’s atmosphere. Creestal’s sweeping instrumental carries a sense of grandeur without losing its edge, while Narley fills the space with sharp observations and imagery-driven lyricism. The result is a track that feels polished but never overly refined, maintaining the raw energy that runs throughout the project.

That momentum continues on “2 Thousand On The Knicks,” where warm guitar melodies and a driving rhythm section create one of the EP’s most memorable soundscapes. Narley sounds particularly comfortable here, delivering verses with the confidence of an artist fully settled into his style. There’s an ease to his performance that makes the song feel effortless without sacrificing precision.

“Unplugged From Marseille” shifts the mood. Creestal leans into a hazier, more relaxed palette, allowing the record to breathe while expanding its emotional range. Narley adapts naturally, weaving together vivid scenes and charismatic bars that make the track feel less like a detour and more like another layer of the project’s identity.

Closing track “Celia Cruz & Gloria Estefan” brings everything together. Soulful production, subtle gospel influences, and a sense of nostalgia give the song a reflective quality, while Narley’s measured delivery ties the EP’s themes together. It serves as a fitting conclusion to a project built on contrasts—luxury and struggle, refinement and rawness, ambition and reflection.

At just four tracks, Prada Cups In The South Of France doesn’t overstay its welcome. Instead, it leaves a lasting impression through strong chemistry between artist and producer, thoughtful songwriting, and a clear creative vision. For Seth Narley, it’s another reminder that consistency doesn’t have to come at the expense of quality. If anything, this latest release suggests he’s only getting sharper with each project.

Listen to Prada Cups In The South Of France here now:

Listen on more platforms HERE.

Connect with Seth Narley: Spotify | Instagram | Twitter

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Newman Bridges Potential and Action on ‘dust on the akai’

Newman has released a new project, titled dust on the akai. The Raleigh, North Carolina rapper, producer, and creative director has been carving out a space that feels deliberate, grounded in soulful production and clear, introspective writing. His music leans into bigger questions- purpose, faith, self-direction- without losing the grit and sharpness of high-level rap.

His new project dust on the akai centers on a simple but effective idea: the untouched MPC, sitting there collecting dust. It’s a metaphor that lands quickly- the gap between knowing what you’re capable of and actually doing something about it. This project lives right in that moment, when hesitation starts to wear thin and action takes over.

“LAYAWAY” opens things on a warm, focused note, with rich sampling and steady bass setting the tone. From there, “US OPEN” picks up the pace, bringing sharper energy and tighter flows over bright, driving production. “WITHOUT WORK,” featuring Mimo Thomas, stretches things out a bit more, layering guitars and strings over drums that keep it moving without losing that reflective edge.

A standout comes with “WHILE THE CLOCK IS TICKING,” where orchestral elements meet boom-bap drums. It feels urgent without being overdone, giving Newman space to deliver some of his most direct writing on the project. “EVERLASTING,” featuring Ko, shifts slightly into a more melodic pocket, adding some bounce without breaking the overall mood.

By the time “LANDSCAPE” closes things out, the vision feels complete- cinematic, but still personal. dust on the akai makes for a poignant project that is focused, intentional, and honest about where Newman is right now. More importantly, it sounds like someone who’s done waiting. Check out dust on the akai on our platform now.

Connect with Newman HERE.

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Mark Saunders’ ‘IN DUE TIME’: Vulnerability, Grit, and Craft

Mark Saunders, a Bronx-born vocalist and rapper emerging from the heart of hip-hop’s birthplace, steps forward with a distinctive voice shaped by introspection, experimentation, and unwavering drive. Continuing to carve out his own space within the ever-evolving hip-hop scene, Saunders releases his newest project, the resonant, reflective ‘IN DUE TIME’. 

At times defiant, and at times deeply personal or transcendent, ‘IN DUE TIME’ is a layered listen that showcases Saunders’ ability to both bring raw, unfiltered energy, as well as thoughtfully crafted, heartfelt storytelling. Although versatile, the tracks on ‘IN DUE TIME’ each bring a sense of passion that draws the listener in and provides a gripping listen. 

Opening track “The Holy Mecca” is a powerful introduction to ‘IN DUE TIME’, containing an urgent, cinematic sound, paired with sharp, introspective verses about overcoming obstacles and staying true to one’s vision despite opinions. “SCAPEGOATS”, featuring Ja’king the Divine and Javi Darko, contrasts the first song’s hard-hitting sonics with graceful, jazz-laced instrumentation and pensive, yet cathartic vocals. “BRUH BRUH” further showcases Saunders’ versatility with a trap-influenced, orchestral instrumental, bringing forth hypnotic flows atop booming rhythms. “N.O.R.E (What!?)” featuring Israel Jones blends a lush, jazzy beat with energetic verses that demonstrate a natural chemistry between Saunders and Jones. “Inshallah”, featuring B-Hill, closes the ‘IN DUE TIME’ by tying together the project’s themes of resilience and authenticity in the poignant first two verses, with closing lines and a voicemail that are an emotive, soul-stirring tribute dedicated to Saunders’ Mother. 

Taken as a whole, Mark Saunders’ ‘IN DUE TIME’ is a compelling journey through vulnerability, strength, and artistry, affirming Saunders as a voice in hip-hop unafraid to explore both the personal and the powerful.

Check out ‘IN DUE TIME’ on Bandcamp HERE and support the artist directly.

Listen to ‘IN DUE TIME’ here:

Connect with Mark Saunders here.

Photo credit: @idrisoptix

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Zo the Sensational God shares expressive new album ‘I Hate Watching Movies Alone’

Houston artist Zo the Sensational God has steadily carved out a distinctive musical identity, blending eclectic influences into a sound that is at once approachable and richly layered. With I Hate Watching Movies Alone, he delivers a collection of tracks that showcase his ability to balance atmosphere, groove, and emotional depth, creating a listening experience that feels both intimate and cinematic.

The album opens with “FIND LOVE TODAY,” which immediately sets a reflective, emotive tone with cinematic instrumentation and engaging vocals that convey longing. “YOU IN MY LIFE” follows with a warm, expansive energy, combining relaxed grooves with heartfelt, expressive vocals, while “PALM TREES” demonstrates Zo’s versatility, pairing soulful, natural instrumentation with sharp and immersive vocal performances. “SMOKING WITH BUTTERFLIES” introduces sunnier textures and potent rhythmic grooves, layered with wistful, reflective lyricism, and the project closes with “WISH YOU THE BEST,” a sparse yet moody track that lingers with rich character and atmospheric depth. Together, these tracks illustrate an artist in full command of both mood and sonic texture, weaving a narrative that is emotionally resonant and engaging.

I Hate Watching Movies Alone highlights Zo the Sensational God’s continued evolution, offering a project that balances vulnerability, sonic ambition, and creative experimentation. In traversing this range of moods and textures, Zo asserts himself as an artist unafraid to explore the spaces between reflection and energy, intimacy and expansiveness, creating a body of work that takes on its own character.

Listen to I Hate Watching Movies Alone here now:

Listen on all platforms HERE.

Connect with Zo the Sensational God: Instagram | X

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Bad Luck Brigade share expansive, dynamic new album ‘NOTHING’

Bad Luck Brigade have shared a new album, titled NOTHING. Out of Salt Lake City, Bad Luck Brigade has carved out a sound that feels deliberate, soulful, and intense. The six-piece outfit approaches hip-hop as a living, breathing form, built not on backing tracks but on the vitality of a full band. Drums snap and swing, basslines rumble, guitar and keys stretch the harmonic edges, and horns cut through with sharp punctuation. At the center, the vocals arrive urgent and unfiltered- lyrically dense and delivered with conviction.

Founded in 2022 by Kilow and Ikaika Meatoga, Bad Luck Brigade quickly earned a reputation for explosive, exhilarating live shows. The band balances gripping energy with tight arrangements that leave room for improvisation, as well as moments of chaos that resolve into precision. It’s jazz-minded in spirit, hip-hop in backbone, and truly their own.

On their latest album NOTHING, Bad Luck Brigade stretch the boundaries of live hip-hop, shaping a project that moves with intention, range, and a clear sense of identity. “A LITTLE” is an immediate statement of intent driven by tight grooves and incisive verses that put the group’s technical precision front and center. “FREE CIGS” follows with a looser, playful spirit, folding rugged textures into a rhythm that swerves confidently across stylistic lines. Midway through, “SHADED” settles into a mellow, soulful pocket, offering a moment of clarity and quiet optimism that deepens the album’s emotional range. “JACKPOT!” leans into spontaneity, channeling elements of free jazz and funk into a fluid, inviting performance that balances finesse with risk. “LOVER FIGHTER” stands out towards the end of the track-list for its sharp musicianship and unfiltered delivery, for a resonant listen.

Their latest album NOTHING captures a group operating with trust in one another and conviction in their sound, translating the urgency of their live show into a record that feels immediate, cohesive, and built to last.

Listen to NOTHING on all platforms HERE.

Connect with Bad Luck Brigade: Instagram

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O Dawg shines on refreshing new album ‘Electronic Art: Nobody Beats the Rogue’

Brooklyn rapper O Dawg stakes his claim with Electronic Art: Nobody Beats the Rogue, a project that highlights his versatility and command of sound. O Dawg is a New York–based rapper known for his sharp lyricism, stylistic range, and charismatic delivery. Blending classic East Coast sensibilities with contemporary influences, he continues to carve out a distinct lane within the hip-hop landscape. His newest album captures an artist comfortable moving between styles, pairing sharp lyricism with production that ranges from atmospheric and textured to hard-edged and direct.

Across the project, O Dawg shifts effortlessly between boom bap foundations and polished, trap-leaning tracks, maintaining a clear identity regardless of the backdrop. His delivery is precise and expressive, with verses that feel intentional and rooted in character rather than trend. 

“FBGM” is a highlight track early in the track-list, pairing sleek, orchestral production with sharply introspective lyricism and effortlessly smooth flows. “Press Start” injects the project with a renewed sense of momentum, driven by energetic instrumentation, hypnotic grooves, and razor-sharp delivery. On “Shining Force,” the artist pushes their versatility further, blending vibrant sonic textures with slick, drill-influenced rhythms and charismatic rhyme patterns. The album closes on a high note with “THIS ONE GOT IT,” a triumphant finale built on powerful strings, lush grooves, and commanding performances.

Electronic Art: Nobody Beats the Rogue balances elegance and grit, offering a focused statement that emphasizes personality and presence. It’s a project built on clarity and confidence, designed to resonate with listeners who value both style and substance.

Listen on all platforms HERE.

Connect with O Dawg: Spotify | Instagram | X