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Simya and LQQPMASTER release potent new album ‘Crimson Chanel’

Collaboration has always been one of the defining qualities of New York’s underground hip-hop scene, and Crimson Chanel is built with that same sense of shared creativity. The joint project from Inwood rapper Simya and Queens producer LQQPMASTER brings together introspective songwriting and cinematic production, resulting in an album that feels immersive without losing its raw edge. Rather than chasing trends, the pair focus on atmosphere, storytelling, and the chemistry they’ve developed through New York’s independent music community.

Simya has steadily carved out his own space within the city’s underground, blending hip-hop with influences that stretch beyond any single genre. His songs often blur the line between vulnerability and confidence, drawing from personal experiences involving addiction, family, and self-discovery while maintaining the sharp personality that runs through his writing. There’s an ease to his delivery that makes even his most reflective moments feel conversational, allowing the emotion behind each verse to unfold naturally.

That approach is matched by LQQPMASTER’s production- built around detailed sampling and textured arrangements, his instrumentals create room for every performance to breathe while adding a cinematic quality that ties the record together. Instead of dominating the songs, the production works alongside Simya’s writing, creating a balance that keeps the project cohesive from beginning to end.

The album establishes its identity immediately with “Faux Pase” and “Slyther,” two tracks that introduce its layered production and focused performances. “The Golden Ratio” slows the pace with expansive instrumentation and a more relaxed atmosphere before “Conjunction,” featuring Teatea, adds soulful orchestration and memorable vocal contributions. One of the project’s emotional high points arrives with “Chrysalis,” featuring Jay Cinema, where ethereal production meets some of the album’s most powerful performances. Closing track “Hit First” shifts into trap-inspired percussion and melodic vocals, giving the album a fresh burst of energy while broadening its sonic range.

Throughout Crimson Chanel, Simya and LQQPMASTER demonstrate a creative partnership built on trust and a shared artistic vision. The album embraces the spirit of New York’s underground without relying on nostalgia, instead presenting a sound that feels current, personal, and distinctly their own. It’s a focused collaboration that highlights the strengths of both artists while leaving a lasting impression through its thoughtful songwriting, rich production, and understated confidence.

Listen to Crimson Chanel here:

Connect with Simya HERE.

Connect with LQQPMASTER HERE.

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Cashus King and Big O reflect on transformation with ‘Water to Wine’

Los Angeles lyricist Cashus King and London-based producer Big O come together on Water to Wine, a collaborative album rooted in reflection, resilience, and personal evolution. Raised in the creative heart of Leimert Park, Cashus King has built his reputation on thoughtful storytelling and an unwavering commitment to authenticity, drawing on hip-hop’s tradition of using music as a vehicle for self-expression and social reflection. Big O, whose career has taken him from the American South to London, complements that vision with soulful, sample-rich production that blends classic hip-hop foundations with a contemporary, genre-fluid approach. Together, they craft a project inspired by the symbolic journey from water to wine, exploring how life’s struggles can become catalysts for growth and renewal.

Across the album, Big O’s warm, cinematic production provides the backdrop for Cashus King’s introspective lyricism, creating a sound that feels both grounded and expansive. “LikWid (Big Fish)” opens with uplifting grooves and confident flows, while “Precipitation,” featuring Fashawn, pairs orchestral textures with vivid, thought-provoking verses. The jazz-infused “Drownin'” offers one of the album’s most vulnerable moments, balancing ethereal instrumentation with reflective storytelling, before “Drippin (Soakin Poems)” shifts the mood through atmospheric electronic flourishes and dynamic vocal performances. Gospel influences emerge on “Holy Water,” where elegant instrumentation underscores deeply considered lyricism, and closing track “Wine” brings the record to an uplifting conclusion, reinforcing its message of perseverance and self-discovery.

With Water to Wine, Cashus King and Big O deliver a cohesive body of work that finds strength in honesty and transformation. Blending soulful production with compelling storytelling, the album offers a thoughtful meditation on growth, reminding listeners that resilience is often forged through life’s greatest challenges.

Listen to Water to Wine here:

Get Water to Wine HERE on Bandcamp and support the artists directly.

Connect with Cashus King: Instagram

Connect with Big O: Instagram

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Ohzhe Explores Purpose, Perseverance, and Self-Discovery on New EP ‘GLORY’

Ohzhe continues to carve out a distinctive lane with GLORY, a deeply reflective and sonically rich EP that balances introspective lyricism with soulful, immersive production. Rooted in real-life experiences and driven by themes of growth, purpose, and legacy, the project showcases an artist committed to transforming personal insight into universally resonant storytelling.

Throughout GLORY, Ohzhe blends sharp lyricism with a carefully curated sound palette that feels both expansive and grounded. Ethereal sampling, warm soul influences, and raw textures intertwine to create a listening experience that is elegant yet impactful. The production moves effortlessly between moments of contemplation and intensity, providing the perfect foundation for Ohzhe’s thoughtful narratives and commanding delivery.

The project opens with “BORN,” a cathartic introduction that immediately establishes the EP’s emotional depth. Over rich, organic rhythms and layered samples, Ohzhe delivers deeply personal reflections with a captivating flow, setting the tone for the journey ahead.

“ART MONEY” expands the project’s sonic range, blending subtle trap influences with jazzy, atmospheric instrumentation. The track highlights Ohzhe’s versatility as he navigates themes of ambition, creativity, and value with confidence and precision.

One of the EP’s standout moments arrives with “BY FORCE BY FIRE,” a powerful display of focus and determination. The track’s expansive production feels both refreshing and meticulously crafted, while Ohzhe’s energized performance reinforces the project’s recurring themes of resilience and self-belief.

“SUNSHINE” introduces a compelling contrast, pairing bright melodic elements with an underlying sense of tension and mystery. The result is a dynamic backdrop for some of Ohzhe’s most introspective songwriting, as he explores personal growth with honesty and conviction.

The EP concludes with its title track, “GLORY,” a meditative and poignant closer that brings the project’s core ideas into sharp focus. Through vivid imagery and heartfelt lyricism, Ohzhe reflects on authenticity, perseverance, and the pursuit of a meaningful legacy, leaving listeners with a lasting impression.

With GLORY, Ohzhe delivers a cohesive and compelling body of work that highlights both his artistic vision and his growth as a storyteller. Balancing soulful production with thoughtful lyricism, the EP stands as a powerful statement from an artist determined to inspire through both his music and his message.

Listen to GLORY here now:

Watch the music video for “GLORY” here now:

Connect with Ohzhe: Instagram | X

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Seth Narley and Creestal share cinematic, raw EP ‘Prada Cups In The South Of France’

Seth Narley has been steadily building one of the more compelling catalogs coming out of New York’s underground scene. Born in the Bronx, the rapper has spent the last year maintaining an impressive pace, balancing consistency with artistic growth. Releases like Oceans Mondrian and Welcome to the Show showcased his ability to pair vivid writing with focused execution, and his latest collaborative EP with producer Creestal, Prada Cups In The South Of France, feels like another confident step forward.

Across four tracks, Narley and Creestal strike a balance between luxury and grit, creating a project that feels equally cinematic and streetwise. Creestal’s production provides a rich backdrop throughout, blending soulful textures, orchestral flourishes, and understated elegance while leaving plenty of room for Narley’s storytelling to take center stage.

The EP opens with “Jordan On The Baseline,” immediately establishing the project’s atmosphere. Creestal’s sweeping instrumental carries a sense of grandeur without losing its edge, while Narley fills the space with sharp observations and imagery-driven lyricism. The result is a track that feels polished but never overly refined, maintaining the raw energy that runs throughout the project.

That momentum continues on “2 Thousand On The Knicks,” where warm guitar melodies and a driving rhythm section create one of the EP’s most memorable soundscapes. Narley sounds particularly comfortable here, delivering verses with the confidence of an artist fully settled into his style. There’s an ease to his performance that makes the song feel effortless without sacrificing precision.

“Unplugged From Marseille” shifts the mood. Creestal leans into a hazier, more relaxed palette, allowing the record to breathe while expanding its emotional range. Narley adapts naturally, weaving together vivid scenes and charismatic bars that make the track feel less like a detour and more like another layer of the project’s identity.

Closing track “Celia Cruz & Gloria Estefan” brings everything together. Soulful production, subtle gospel influences, and a sense of nostalgia give the song a reflective quality, while Narley’s measured delivery ties the EP’s themes together. It serves as a fitting conclusion to a project built on contrasts—luxury and struggle, refinement and rawness, ambition and reflection.

At just four tracks, Prada Cups In The South Of France doesn’t overstay its welcome. Instead, it leaves a lasting impression through strong chemistry between artist and producer, thoughtful songwriting, and a clear creative vision. For Seth Narley, it’s another reminder that consistency doesn’t have to come at the expense of quality. If anything, this latest release suggests he’s only getting sharper with each project.

Listen to Prada Cups In The South Of France here now:

Listen on more platforms HERE.

Connect with Seth Narley: Spotify | Instagram | Twitter

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Maudixi shares emotive new single “Nothing So Divine” [Video]

Connect with Maudixi: Instagram

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Bad Luck Brigade share expansive, dynamic new album ‘NOTHING’

Bad Luck Brigade have shared a new album, titled NOTHING. Out of Salt Lake City, Bad Luck Brigade has carved out a sound that feels deliberate, soulful, and intense. The six-piece outfit approaches hip-hop as a living, breathing form, built not on backing tracks but on the vitality of a full band. Drums snap and swing, basslines rumble, guitar and keys stretch the harmonic edges, and horns cut through with sharp punctuation. At the center, the vocals arrive urgent and unfiltered- lyrically dense and delivered with conviction.

Founded in 2022 by Kilow and Ikaika Meatoga, Bad Luck Brigade quickly earned a reputation for explosive, exhilarating live shows. The band balances gripping energy with tight arrangements that leave room for improvisation, as well as moments of chaos that resolve into precision. It’s jazz-minded in spirit, hip-hop in backbone, and truly their own.

On their latest album NOTHING, Bad Luck Brigade stretch the boundaries of live hip-hop, shaping a project that moves with intention, range, and a clear sense of identity. “A LITTLE” is an immediate statement of intent driven by tight grooves and incisive verses that put the group’s technical precision front and center. “FREE CIGS” follows with a looser, playful spirit, folding rugged textures into a rhythm that swerves confidently across stylistic lines. Midway through, “SHADED” settles into a mellow, soulful pocket, offering a moment of clarity and quiet optimism that deepens the album’s emotional range. “JACKPOT!” leans into spontaneity, channeling elements of free jazz and funk into a fluid, inviting performance that balances finesse with risk. “LOVER FIGHTER” stands out towards the end of the track-list for its sharp musicianship and unfiltered delivery, for a resonant listen.

Their latest album NOTHING captures a group operating with trust in one another and conviction in their sound, translating the urgency of their live show into a record that feels immediate, cohesive, and built to last.

Listen to NOTHING on all platforms HERE.

Connect with Bad Luck Brigade: Instagram

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Maris O’Tierney finds solace and space on Park Hills Circle debut “Sight of the Moon”

Chicago singer-songwriter Maris O’Tierney has introduced her new solo outfit, Park Hills Circle, with the release of her debut single “Sight of the Moon,” which arrived on Dec. 17.

Formerly a co-leader of the indie-folk outfit Maeve & Quinn, O’Tierney’s move into a solo space finds her expanding her sound rather than retreating inward. On “Sight of the Moon,” she marries Midwest emo–tinged guitar work with Americana-influenced string arrangements, quietly complemented by sparse, deliberate percussion.

O’Tierney weaves the storytelling traditions of her Irish heritage with the vast, mountainous atmosphere of her home state of Alaska, while subtly drawing on her background in classical music. The result is a sound that feels both grounded and expansive, intimate yet windswept.

“‘Sight of the Moon’ is a tender unfolding — a return to myself, and a re-awakening to daily wonders, as my perspective slowly shifted through a disorienting period of change,” O’Tierney said. “I was living alone for the first time, understanding my needs and desires, learning to make a home. The song bridges parts of myself: origins in opera and classical guitar, layered with a loop pedal and nested harmonies. I’ve always centered my spirit through quiet walks in the cold night air, as I did growing up in the Alaska mountains. The song began there.”

Her lyrics are soaked in sorrow and quiet reflection. “I still have the leaf you gave me, the autumn that you left / I still have the grief you gave me, but that’s not all I kept,” she sighs, her crisp, legato vocals stretching effortlessly over the song’s nocturnal instrumentation.

“Sight of the Moon” serves as the lead single from Park Hills Circle’s debut album, All of a Sudden, set for release this spring.

Stream “Sight of the Moon” HERE.

(Photo credit/Maren Celest)

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Review: Sugar Bomb brings the funk on ‘Sweet + Explosive’

For Asheville, North Carolina jazz trio Sugar Bomb, 2025 has been a coming out party of sorts.

In May, the trio released their debut EP Sweet, a four track effort centered around spaced out melodies and slow-burning grooves. In September, they released a companion EP EXPLOSIVE, a funkier, more upbeat effort than its predecessor.

Now, the trio — made up of bassist Eli Kahn, drummer Joe Enright and keyboardist Jacob Bruner — has re-released both EP’s as one project, Sweet + Explosive, a debut album that pairs the somber, lyrical lead writing of the first EP with the head-knocking, improvisational focus of the second.

The intro track, “Rubber,” kicks off with some breathy legato synth chords and steady brushstrokes from Enright. It’s a gentle, eery start to the record, easing the listener in with a pleasant kiss on the eardrums. Let us not forget Kahn’s contributions, whose grumbling, pulsating bass lines lay down the perfect backdrop that ties it all together.

The slow cooking feel continues on the second track, “IDK,” which has a guest feature from saxophonist Dylan Hannan, whose earthy, moaning saxophone lines float perfectly over the relaxed instrumental grooves laid down by the trio.

The next two cuts bring more of the same. “Kerosene,” despite its title, is a moody, mid-paced number driven by Bruner’s dreary synths, while “Lullaby” closes out the first half of the project with some more spacey keyboard work and some rhythmic percussion lines from Enright.

The vibe of the project completely changes in its second half. Track five, “Frenzy,” abandons the slow-paced, melodic focus from the first half, pushing the tempo with its driving, off-beat drum patterns and pressing lead melodies that eventually cascade into utter chaos near the end of the song.

The next two tracks, “Issa Vibe” and “Eli Special” are both funky dance numbers, erected upon nifty staccato bass work and some heavily technical improvisational chops from Bruner.

The project closes with “Dance Tune,” which is perhaps the biggest ear worm on the entire record. Alternating between a moody, stripped back melodic riff and a fast-paced dance riff, the trio slowly builds momentum in the song’s closing moments before a satisfying release of tension that closes out the record.

While Sweet + Explosive is essentially a tale of two halves —one half moody, the other half funky — what brings this project together so nicely are the catchy melodies, airy soundscapes and demonstrably high level of musicianship from everyone involved.

Photo credit: Camilla Calnan

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Lil Derik shares soulful new EP ‘Red Dragon’

Lil Derik has shared a fresh EP, titled Red Dragon. From the South Side of St. Louis, Lil Derik moves between two worlds. By day he’s a substitute teacher and basketball coach. By night he’s one of the city’s sharpest independent hip-hop voices. Raised on the words of Rakim, 2Pac, OutKast, and Wayne, he started rapping in high school and formed the collective “More Than Music” with his closest friends.

After graduating and heading to Mizzou, he created Huey vs. Riley: The Mixtape in 2018, a release that quietly became a local cult classic. In the years since, he’s built an impressive body of work with five solo albums, four collaborations, thirteen EPs, and countless singles, all leading to his 2025 studio album Enter The Dragon, released on his twenty-seventh birthday.

The project opened doors. Festivals, co-headlining shows, a Connect The Dots freestyle, and a spot in the 2025 St. Louis Freshmen Class all followed. Now, with momentum at his back, Lil Derik begins the next chapter, starting with Red Dragon, a three-track EP crafted alongside UK producer Brey10.

Lil Derik weaves together potent, poetic lines filled with hard-earned introspection, resting them gently in Brey10’s warm and textured soundscape. His lyricism feels lived-in and honest, soulful without trying to be and focused without ever feeling forced, with a butter-smooth flow that glides across every beat he touches.

The EP opens with “Buick Lesabre,” carried by laid-back, silky loops that feel like a slow drive through familiar streets. Derik’s verses move with a graceful ease, blending memory, reflection, and calm confidence into something intimate and effortless.

“Fall In Love” follows and widens the world of the project. Expansive sampling and organic grooves create a vibrant backdrop for Derik’s raw and engaging flow. He shifts between vulnerability and swagger with natural rhythm, making it one of the project’s standout moments.

The EP closes with “Til Death Do Us Part,” a cathartic finale built on rising, evocative instrumentation. Here, Derik sharpens his pen, offering pensive lines that linger long after the track fades. It is a closer that reaffirms his voice, his craft, and the emotional clarity he brings to every release.

Together, the three tracks form a vivid and soulful snapshot of where Lil Derik stands today: grounded, expressive, and fully locked into his artistry.

Listen to Red Dragon here now on our platform:

Listen to Red Dragon on all platforms HERE.

Connect with Lil Derik: Instagram | X

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The immersive sonic world of Noah Genesis’ ‘another hornet didn’t make it to spring’

Noah Genesis has shared a new album, another hornet didn’t make it to spring. Genesis is a 20-year-old producer, songwriter, and multi-instrumentalist originally from Seattle, now based in Los Angeles. His music- entirely self-produced- fuses alternative pop, indie rock, and hip-hop into raw, experimental soundscapes. His new album, another hornet didn’t make it to spring, is a showcase of his diverse, emotive style, drawing from alternative pop, indie rock, hip-hop while maintaining deeply personal themes and an abstract approach. It’s the type of record that draws you in further and further across its run-time, immersing you in its introspective atmosphere and raw feel, as Genesis paints a vibrant picture of his inner world across 11 songs.

another hornet didn’t make it to spring is an album that cannot be boxed in to one genre or style. While it maintains a cohesive sound throughout, it pushes the boundaries through a blend of everything from alternative pop to hip-hop. From the indie and folk flourishes of opener “parasite”, with its expansive guitar riffs and bittersweet vocals- to the rich, energetic “northside story”’s hip-hop tones- another hornet didn’t make it to spring is a record that has something for everyone. Elements of folktronica and minimalism appear on tracks like “stinger”, while closer “nicolas sheff” is a hauntingly beautiful ballad.

The album presents a lived-in kind of intimacy for the listener, as many of its songs feels like a special nostalgic item one has re-discovered again after many years, of the kind they believe they might never find again. It’s a heartfelt, powerful record that brings you both potent points of sweeping instrumentation and vocals, as well as quiet, hidden moments that reveal themselves over time. Listen to Noah Genesis’ new album another hornet didn’t make it to spring here now.

Listen on all platforms HERE.

Watch Noah Genesis’ short film ‘where will i land?’ here:

Connect with Noah Genesis: Spotify | Instagram | YouTube