Orion León has shared a new song, titled “Treat Me”. León is a genre-bending artist hailing from Indiana whose music engagingly blends elements of alternative R&B, indie-pop, bedroom pop, and more. His latest song, “Treat Me”, further exemplifies his ability to craft music that’s difficult to categorize- with its atmospheric grooves and potent melodies that infuse elements of alternative R&B and alt-pop with dashes of hip-hop. His vocal delivery is smooth and self-contained, suitable to the track’s refined synth lines and bubbling, relaxed rhythm section. Give “Treat Me” a listen here now.
Los Angeles artist rimhan has dropped off a new album, titled soul food for the family. The prolific West Coast emcee continues to bring fresh flavors with each release, displaying a penchant for poetic, deeply personal lyricism with emotive tones of rawness- and soulful, warm production. His latest offering soul food for the family, acts as a document of his life and times, with true-to-life narratives that cut to the chase, laced with rich tapestries of chopped samples. Dusty, astral beats and sharp flows are the hallmarks of soul food for the family‘s potent song- with songs like opener “neighborhood watch” and “the legend of lefty” feeling hauntingly diaristic. rimhan sounds at home on the instrumentation of soul food for the family, with a certain focus and detail-oriented approach that gives the project added character. Give soul food for the family a listen here now, premiered on our platform.
Deonte the Alien has shared a new song called “Used to get high (with you)”. Deonte the Alien is a Bay Area artist, who’s jazzy, expressive sound was heavily influenced by Mac Miller, Duckwrth, The Internet, and Isaiah Rashard. His first single “She Don’t” was released when he was 19, and since he has built a discography of engaging, versatile singles that often feel personal in nature. His latest offering, the smoky, laid-back “Used to get high (with you)” creates an atmosphere of longing and nostalgia with its bittersweet keys, lush bass, and wistful flows. Deonte enticingly blends relaxed rap flows with melodious inflections for an offering that feels dynamic and diverse. Give “Used to get high (with you)” a listen here now.
Earl Hondo has shared a new video for his track “fye”, featuring Chris Patrick. With an engaging balance of fun-loving energy with laid-back vibes, “fye” presents a vibrant offering that puts both artists’ skills and chemistry on display. Underscored by immersive, warm instrumentation, the two emcees trade smooth, sleek verses laced with witty lines. With sharp editing and bright shots that capture the track’s carefree feel, the new video makes for a solid accompaniment to this infectious track. Give the video for “fye” a watch here now.
Buppy.’s latest offering paints vivid vignettes of his hometown near Park City, Utah- scored by soaring, folk and indie-infused soundscapes and graceful, powerful vocals. Genre-bending sonic landscapes and dynamic songwriting make local favorites an engaging listen through-and-through, while Buppy. demonstrates a knack for emotive, personal narratives. Particularly on EP highlight “rocky mountain roads”, which describes a homesick longing to return to his roots after growing disillusioned with big city life, atop cathartic instrumentation. The somber, elegant beauty of “love is temporary” contains a transcendent quality, with bittersweet guitars merging with Buppy.’s heartfelt lines.
Regarding the EP, Buppy. says, “a lot of who I am can be traced back to the ski town where I was raised. The simplicity, the scenery—it was my own slice of heaven. I took my first steps there, experienced my first love, lost my first love- I learned almost everything I know in that town. Though it continues to grow and change, drifting further from what I remember, I can never grow out of it.”
local favorites is an homage to the small town where Buppy grew up, just outside of Park City, Utah. As the town evolves and becomes increasingly popular with tourists, Buppy shares nostalgic stories of its past and insights into its present. Produced in collaboration with mattisnotfamous, ShyKid, and Nick Axel Kauffman, this project showcases Buppy’s most mature sound to date, blending indie, folk, and pop seamlessly. Take a listen to local favorites here now.
New York’s Ché has returned to our pages once again with his latest offering “Judy”- and rightfully so, as this new song further showcases his versatility and impactful songwriting, following up his engaging, diverse self-titled album in 2023. For is latest offering, Ché dives head first into soulful sounds and releases an unforgettable track packed with vitality and vibrancy.
Ché presents a warm, lush offering with “Judy”, which conjures a distinct atmosphere of longing and brings forth a certain vivid nostalgia that’s difficult to replicate. With its hypnotic, balmy key riffs, and emotive vocals- “Judy” crafts an atmosphere of summer with its warm, wistful sound. Take a listen to Ché’s latest song “Judy” here now.
DUNN has dropped off a fresh visual for his track “Alphabet Soup”. Hailing from the vibrant streets of New Jersey, DUNN blends gritty realism with introspective lyricism, often atop resonant, soulful production. His latest offering arrives in a refreshing visual for his track “Alphabet Soup”, featuring LOS KEMET.
The soulful, laid-back sonics of “Alphabet Soup” contain emotive undertones that lay a canvas for DUNN and LOS KEMET’s vividly descriptive, thoughtful lyricism. They come through with poignant verses atop weaving, rich soul samples while displaying a natural chemistry, with true-to-life topics and sharp deliveries that grasp the listener’s attention from the get-go. The new music video utilizes subdued coloration and focused shots to capture the track’s reflective warmth- making for an engaging new offering from DUNN and LOS KEMET, released on No Diploma Records/ Eyecberg Digital.
Check out the new music video for “Alphabet Soup” here:
Israel Jones, Giahni Bosquet, and BOMA have dropped off a new single called “Brick World”, their first as Brick Road Records. Channeling quintessential west coast vibes into an infectious, focused new song- “Brick World” finds the Brick Road Records artists displaying a natural chemistry atop potent production. Underscored by memorable key riffs, atmospheric, swelling strings, and rich grooves laid by producer Giahni Bosquet, BOMA and Jones lay down commanding verses that grasp the listeners attention from the get go. Check out their latest offering “Brick World” here now:
Nate the Great has shared a new album called Still Pressure. Naquan Brown, better known by his stage name Nate the Great, is an artist hailing from Far Rockaway, Queens, New York. With a passionate feel to his art and content, Nate is a versatile lyricist and producer who blends his love for anime, video games, and other avenues of pop culture into his sharp lyricism. His latest album Still Pressure, follows up a prolific string of releases with a heartfelt, inspiring release featuring appearances from the likes of A.D.V.I.S.S., Subjxct 5, and more.
Nate the Great demonstrates a natural skill for relatable, down-to-earth introspection, as he weaves together poignantly personal narratives throughout Still Pressure. The hypnotic, airy soundscape of “Retreat” brings in influences from both boom-bap and cloud rap while it paints the perfect canvas for Nate’s cathartic, vividly poetic lyricism. Glitchy, memorable grooves on “Overnight” make for an infectious listen as Nate touching on overcoming obstacles and maintaining a strong work ethic- while the latter is somewhat apparent intrinsically acrossthe album. Nate comes off as a hard-working artist with focus on Still Pressure, as he goes the extra mile to create worlds for the listener sonically and lyrically. The potent “The Force Awakens”, produced by Subjxct 5, provides a highlight on Still Pressure with its weaving, lush samples and powerful lyricism.
Listen to Queens artist Nate the Great’s latest, the thoughtful, yet raw, Still Pressure here now:
New York-based artist OJ Mountain has shared a new song called “don’t praise me, i won’t take it too well”. A tapestry of jazz-laced samples on “don’t praise me, i won’t take it too well” conjures an atmosphere that’s both relaxed and eery, while OJ matches the track’s otherworldliness with detailed, abstract lyricism.
Weaving, darkly hypnotic guitars and saxophones drift atop a fast-paced, frenetic rhythm section, accentuated by OJ’s surreal lines and deft flows. With rhyme patterns as unpredictable as the instrumentation, he keeps the listener on their toes and drops off an offering with “don’t praise me, i won’t take it too well” that is thought-provoking- as well as somehow soothing and ominous simultaneously.
Continuing his prolific run after a series of poignant singles and collaborations with T H R O N E, DAMAG3, and more, the intriguing single “don’t praise me, i won’t take it too well” appears ahead of OJ Mountain’s forthcoming album WRONG NOTES PLAYED WITH GUSTO.
ROUNDHOUSE MUSIC 