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Jay Cinema and Jedos share warm new EP ‘Hell Of A Life’

New York emcee Jay Cinema and producer Jedos have dropped off a new EP, titled Hell Of A Life. First recorded in 2021, the 5-track offering finds Cinema and Jedos sharing a natural chemistry that translates to a set of warm, easy-going tracks. Characterized by relaxed, soulful production and heartfelt flows, Hell Of A Life makes for a meditative, emotive listen.

With an organic feel throughout, the EP presents an unassuming authenticity felt from the get-go on the opener “What Can I Say”, featuring Antoine Sand. As swirling, vibrant samples and minimalistic percussion create a dream-like soundscape, Cinema and Sand deliver introspective verses that feel freeing and cathartic in tone. “Fast Forward” creates a potent sense of nostalgia with emotive, hypnotic soul sampled production from Jedos and wistful storytelling verses from Cinema. Closer “Hell Of A Life”, featuring Sefu, makes for a highlight at the tail end of the EP, merging infectious, colorful instrumentation with true-to-life, engaging performances from Cinema and Houston’s Sefu.

Jay Cinema and Jedos present a refreshingly heartfelt, low-key offering with Hell Of A Life, a release that charms with its vivid sonics and potent lyricism. Give Hell Of A Life a listen below.

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JIREH shares engaging new single “Parking”

Baton Rouge-bred artist JIREH has shared a new single called “Parking”. Combining his southern flare, mixed with sharp lyricism and sleek flows- JIREH has been steadily building momentum for his character-rich sound, made evident with his strong A Guide 2 Recognizing Your Saints album earlier this year. His new song “Parking” marks his first since A Guide 2 Recognizing Your Saints, and it continues to expand upon the eclectic, smooth sound of that LP.

With atmospheric, warm production centred around watery keys, surreal guitars, and a crunchy, steady rhythm section, “Parking” makes for a laid-back joint with a layered, engaging sound. JIREH comes through with some potent, focused bars atop the hazy instrumentation, drawing the listener further into the track’s immersive feel with his vibrant, detailed lyricism. He flows with an understated charisma that gives the song added replay value, while demonstrating a strong mic presence and crisp delivery.

Give JIREH’s latest single “Parking” a listen below.

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Ché shares refreshing new self-titled album, ‘CHÉ’

New York artist Ché has dropped off a new self-titled album. Preceded by the potent singles, “APRIL 16th”, “SAMSARA”, and “FORGET ME NOT”, CHÉ capitalizes on the momentum the NY native has been building with 11 diverse tracks that draw from hip-hop, alternative R&B, jazz, and more. CHÉ is an album versatile in sound and heartfelt in content, as it finds the New York artist dropping a series of thoughtful verses atop engaging, diverse instrumentation. Throughout the record, an undercurrent of youthful energy is present- with shades of hope for brighter times, while also touching upon being in the thralls of depression and frustration. Using his bicycle as a motif, the album’s dynamic pace, observational nature, and NYC references are given added context and layers, giving CHÉ a conceptual edge. CHÉ is a record that won’t be boxed in, remaining refreshingly authentic with tracks that are sometimes triumphant- such as “LOCKER 260”- and at times darkly confessional and cathartic, like “NOBODY AROUND US”. There’s a healthy dose of surrealism present as well with vivid tracks like “PERFECTO PARK” painting a dreamscape lyrically and sonically. Album single “SAMSARA” also demonstrates Ché’s ability to craft infectious, memorable melodies in his songwriting, with a more pop-leaning offering that still delves into the jazzy, DIY aesthetics of the remainder of the album.

Overall, CHÉ presents a poignant new album from this young NYC artist that is multi-layered, heartfelt, and refreshing. It seems to be safe to say this could go down as one of our favorite records this year. Give CHÉ a listen below.

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Ovrkast. delivers smoky new single, “Month In Brooklyn”

Oakland artist Ovrkast. has shared a new single, titled “Month In Brooklyn”. The lyricist and producer has steadily carved his own lane for his eclectic, soulful, and relaxed sound, influenced by the likes of Knxwledge, Flying Lotus, and more, while retaining a distinct sense of minimalism. Following up his recent singles “TBH!” and “SHUTUP!”, “Month In Brooklyn” presents a smoky, jazzy single that reflects on his recent time spent in Brooklyn- being away from his home, family, and friends back in Oakland, CA. 

“Month In Brooklyn” contains laid-back, warm production centred around ruminative brass, infectious, organic-sounding bass, and pillowy 808s. Underscored by crisp percussion that locks in a steady groove, Ovrkast. drops emotive, engaging verses as he weaves together dynamic rhyme patterns. As crawling keys drop in beneath, he flows smoothly and with ease atop the sleek production, suiting its easy-going feel.

Ovrkast.’s latest continues his run of potent, jazzy DIY-inspired singles, with Ovrkast. producing, mixing, and crafting the artwork for “Month In Brooklyn”. Give “Month In Brooklyn” a listen below.

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JazzZ and Tenten share immersive new album ‘ABSINTHE’

Nigerian vocalist JazzZ and Zimbabwean producer Tenten have shared a new project, titled ABSINTHE. The 14-track offering emanates an immersive warmth that draws the listener into its soundscape from the get-go- delivering a comforting listen with fuzzy guitars and keyboards, organic bass grooves, and silky vocals.

ABSINTHE has a lived-in, intimate feel that gives the project its own character, made evident from early in the track-list with the cozy keyboards and hypnotic grooves of “Again, Again, Again”. The instrumental’s coarsely-chopped, textural sound gives it a natural swing, complemented by JazzZ’s laid-back yet emotive vocals. The ethereal guitars, expansive strings, and watery keys of “Woe, Writhe & Hype” give the track a feeling of depth, as JazzZ’s verses soar with mesmerizing melodies. While the ruminative, nocturnal “Everytime” takes on a meditative pace, as crystalline keys and airy percussion mould naturally with JazzZ’s soulful delivery. “Gloria” makes for a standout later in the project with its regal sound and undercurrent of energy, laced into graceful keys, punchy percussion, and rich vocals, paired with imagery-rich lyricism.

ABSINTHE makes for a smoky, immersive new release from JazzZ and Tenten that exhibits expressive, jazz and soul-laced production and heartfelt, focused songwriting. Give it a listen below.

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Gxldsoulrebel asks “What’s Real?” on heartfelt track

We came across South Bend, IN artist Gxldsoulrebel‘s track “What’s Real?” recently, and from there delved into his recent project The True Man Show. From the record, “What’s Real?” makes for a highlight with its insightful exploration of self and society, containing richly poetic bars laced atop warm, hypnotic production. With his characteristically laid-back, crisp delivery, Gxldsoulrebel lays down heartfelt bars woven into dynamic rhyme patterns, that work cohesively with the song’s soulful instrumentation. Above thought-provoking key melodies and airy percussion, he shines on the mic by piecing together lines filled with vibrant imagery. Conveying a sense of hope while maintaining a true-to-life feel throughout, “What’s Real?” makes for a highlight cut from the South Bend artist. Give it a listen here now.

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King Adroit gives a display of bars on “Heem”

Charlotte, NC-based rapper King Adroit caught our attention for his sharply-crafted new joint “Heem”. The 34 year old MC has an eclectic taste of the golden era with rich, vibrant sampled records and poignant lyricism. His unorthodox rhyme patterns that seem to be off beat and off topic, and yet they add up to a cohesive and engaging style overall. On his track “Heem”, Adroit flexes his lyrical abilities with a series of clever, charismatic verses atop warm, resonant production. Raw, glowing samples underscore him, moored by an organic-sounding rhythm section- as he handles the beat with ease, dextrously delivering lines in an unpredictable manner. It seems Adroit’s style could be described as “organized chaos”, with all elements working together despite their patchwork feel, demonstrating Adroit’s overall focus. Give his latest “Heem” a listen below now.

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Ricky Mapes shares potent visual for “Banksy 88”

The Bronx’s Ricky Mapes has dropped off a new visual for his track “Banksy 88”, produced by The Natural Law and directed by Schweppes Baguette. The opening cut from his recent album OVERTHINKING, “Banksy 88” presented a standout off the record with its emotive, sharply-crafted lyricism and soulful, textural production. Atop a tapestry of gritty horns and rich strings that give the song a powerful sound, Mapes delivers line after line of potent social commentary and introspection, drawing the listener into the track’s immersive feel and relating them in the process. The new video, directed by Schweppes Baguette, features crisp shots and a compelling performance from Mapes with warm, inviting coloration. Check out the video for Ricky Mapes’ “Banksy 88”, released on the prolific Soulspazm, below and stream OVERTHINKING while you’re at it.

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Finch and Chaos TV share warm single “Count My Luck!”

Philadelphia producer Finch has linked with Chaos TV for a new single called “Count My Luck!”. The track continues a prolific run for Finch that has included recent singles like the engaging “Kingdom” with Jawny’s Room, and “Empty Pockets” with dkj. “Count My Luck” finds him continuing to carve out his niche and sound, utilizing vibrant, expansive soul samples to create an uplifting, energizing soundscape, while mooring an infectious groove with crisp percussion and booming 808s. Chaos TV delivers charismatic, smooth flows atop the buoyant instrumentation while keeping a brisk level of energy that suits the instrumentation. “Count My Luck!” demonstrates a kinetic level of chemistry between the two that translates on to the record, which packs a punch despite its 1 minute 24 second run time. Give “Count My Luck!” a listen below.

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YB shares triumphant album ‘Dreams Don’t Have Deadlines’

By Todd Anderson

Arkansas-born artist YB has dropped off a fresh new album called Dreams Don’t Have Deadlines. YB is what happens when optimism and uplifting content meets melodic trap. He wraps emotional storytelling over hard-hitting 808s and trunk-knocking drums, making for a refreshing blend of sounds and styles. He has now come through with a triumphant, infectious new album called Dreams Don’t Have Deadlines, which finds him further defining his sharply-crafted style with a set of relatable, cathartic bangers.

YB is an artist that has a penchant for combining emotive themes and content with hard-hitting, gritty sounds. Over a tapestry of booming 808s, raw horns, and clasping percussion, he manages to rhyme poetically in a way that feels emotionally captivating for the listener. This contrast helps YB stand out and provides him ground to continue expanding his characteristic style, as made evident by his new project Dreams Don’t Have Deadlines. It sees him building on the positive elements of his past releases, with songs like “HOSTAGE” and “LIGHT” displaying a keen sense of songwriting and focus that translates naturally into YB’s confident vocals and production choices. Songs like the lead single “PRAYING HANDS” push the energy levels to the limit while also providing thought-provoking content. Then, there are tracks like “B.I.G.” that take on a laid-back approach and in doing so demonstrate YB’s overall versatility.

With the release of Dreams Don’t Have Deadlines, YB continues to transcend the medium with his studio work. Over 10 million streams as an independent artist, and a prolific streak of releases has led to him building much momentum in the underground and beyond. Give his latest release Dreams Don’t Have Deadlines a listen below and be sure to connect with YB while you’re at it for more soon.

Connect with YB: Spotify | Instagram | Twitter