Tag: music

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Exus captures the highs and heartbreaks of ‘Emotional Summer’

Springfield, Massachusetts artist Exus returns with Emotional Summer, a four-track project that embraces the emotional contradictions often tied to the season. Known for making music that prioritizes connection over convention, Exus has built a style that comfortably moves between R&B, alternative R&B, hip-hop, and pop without losing its personal touch. Whether exploring love, confidence, or vulnerability, his songs are driven by feeling first, inviting listeners to find pieces of their own experiences within the music. On Emotional Summer, he continues that approach with a concise release that balances introspection with undeniable replay value.

Each track brings its own character while contributing to the project’s easy-flowing atmosphere. Opener “Tears On My Shirt,” featuring Sy Ari Da Kid, pairs sun-soaked guitar melodies with emotionally charged vocals, creating a bittersweet introduction that lingers long after it ends. “For The Girlies” shifts the mood with lush keyboard textures, airy background harmonies, and a crisp rhythm section that gives Exus plenty of room to showcase his sleek delivery. The vibrant “Pretty Girls” injects dance-inspired energy through colorful production and infectious hooks, before “Broken Girls” slows everything down, closing the project with atmospheric sonics and reflective songwriting that leaves a lasting impression.

With Emotional Summer, Exus delivers a release that feels honest, approachable, and effortlessly versatile. By weaving together polished production with emotionally driven performances, he creates a project that captures both the carefree spirit and quiet complexities of summer.

Listen to Emotional Summer here now:

Connect with Exus: Instagram | X

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Cashus King and Big O reflect on transformation with ‘Water to Wine’

Los Angeles lyricist Cashus King and London-based producer Big O come together on Water to Wine, a collaborative album rooted in reflection, resilience, and personal evolution. Raised in the creative heart of Leimert Park, Cashus King has built his reputation on thoughtful storytelling and an unwavering commitment to authenticity, drawing on hip-hop’s tradition of using music as a vehicle for self-expression and social reflection. Big O, whose career has taken him from the American South to London, complements that vision with soulful, sample-rich production that blends classic hip-hop foundations with a contemporary, genre-fluid approach. Together, they craft a project inspired by the symbolic journey from water to wine, exploring how life’s struggles can become catalysts for growth and renewal.

Across the album, Big O’s warm, cinematic production provides the backdrop for Cashus King’s introspective lyricism, creating a sound that feels both grounded and expansive. “LikWid (Big Fish)” opens with uplifting grooves and confident flows, while “Precipitation,” featuring Fashawn, pairs orchestral textures with vivid, thought-provoking verses. The jazz-infused “Drownin'” offers one of the album’s most vulnerable moments, balancing ethereal instrumentation with reflective storytelling, before “Drippin (Soakin Poems)” shifts the mood through atmospheric electronic flourishes and dynamic vocal performances. Gospel influences emerge on “Holy Water,” where elegant instrumentation underscores deeply considered lyricism, and closing track “Wine” brings the record to an uplifting conclusion, reinforcing its message of perseverance and self-discovery.

With Water to Wine, Cashus King and Big O deliver a cohesive body of work that finds strength in honesty and transformation. Blending soulful production with compelling storytelling, the album offers a thoughtful meditation on growth, reminding listeners that resilience is often forged through life’s greatest challenges.

Listen to Water to Wine here:

Get Water to Wine HERE on Bandcamp and support the artists directly.

Connect with Cashus King: Instagram

Connect with Big O: Instagram

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Sighmon releases atmospheric new single, “Soldier”

Sighmon continues to develop a sound that thrives beyond traditional genre boundaries with his latest single, “Soldier.” Originally from Naples, Florida and now based in Los Angeles, the artist, producer, and songwriter has spent years refining an approach that draws from hip-hop, R&B, indie, and electronic influences while remaining distinctly personal. Built around themes of longing, reflection, and emotional vulnerability, “Soldier” showcases an artist with a natural ability to translate complex feelings into immersive and relatable offerings.

Throughout the track, Sighmon blends warm instrumentation with moody undertones, creating a soundscape that feels both nostalgic and modern. Textured, immersive guitar melodies, rich basslines, and punchy percussion work together to establish a vibrant foundation, while atmospheric production choices add depth and emotional weight. His vocal performance moves between restraint and expressiveness, heightening the sense of yearning that runs through the song.

At the center of “Soldier” is Sighmon’s ability to pair thoughtful songwriting with memorable melodies. The track’s wistful atmosphere and dynamic vocal delivery capture feeling caught in that emotional space between closeness and distance, giving the song a universal quality that lingers long after it ends. Rather than relying on a single influence or formula, Sighmon draws from a diverse musical palette to create something uniquely his own. With “Soldier,” he delivers a compelling release that highlights both his versatility as a musician and his continued growth as a songwriter.

Listen to “Soldier” here now:

Connect with Sighmon: Instagram | X

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Ohzhe Explores Purpose, Perseverance, and Self-Discovery on New EP ‘GLORY’

Ohzhe continues to carve out a distinctive lane with GLORY, a deeply reflective and sonically rich EP that balances introspective lyricism with soulful, immersive production. Rooted in real-life experiences and driven by themes of growth, purpose, and legacy, the project showcases an artist committed to transforming personal insight into universally resonant storytelling.

Throughout GLORY, Ohzhe blends sharp lyricism with a carefully curated sound palette that feels both expansive and grounded. Ethereal sampling, warm soul influences, and raw textures intertwine to create a listening experience that is elegant yet impactful. The production moves effortlessly between moments of contemplation and intensity, providing the perfect foundation for Ohzhe’s thoughtful narratives and commanding delivery.

The project opens with “BORN,” a cathartic introduction that immediately establishes the EP’s emotional depth. Over rich, organic rhythms and layered samples, Ohzhe delivers deeply personal reflections with a captivating flow, setting the tone for the journey ahead.

“ART MONEY” expands the project’s sonic range, blending subtle trap influences with jazzy, atmospheric instrumentation. The track highlights Ohzhe’s versatility as he navigates themes of ambition, creativity, and value with confidence and precision.

One of the EP’s standout moments arrives with “BY FORCE BY FIRE,” a powerful display of focus and determination. The track’s expansive production feels both refreshing and meticulously crafted, while Ohzhe’s energized performance reinforces the project’s recurring themes of resilience and self-belief.

“SUNSHINE” introduces a compelling contrast, pairing bright melodic elements with an underlying sense of tension and mystery. The result is a dynamic backdrop for some of Ohzhe’s most introspective songwriting, as he explores personal growth with honesty and conviction.

The EP concludes with its title track, “GLORY,” a meditative and poignant closer that brings the project’s core ideas into sharp focus. Through vivid imagery and heartfelt lyricism, Ohzhe reflects on authenticity, perseverance, and the pursuit of a meaningful legacy, leaving listeners with a lasting impression.

With GLORY, Ohzhe delivers a cohesive and compelling body of work that highlights both his artistic vision and his growth as a storyteller. Balancing soulful production with thoughtful lyricism, the EP stands as a powerful statement from an artist determined to inspire through both his music and his message.

Listen to GLORY here now:

Watch the music video for “GLORY” here now:

Connect with Ohzhe: Instagram | X

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Seth Narley and Creestal share cinematic, raw EP ‘Prada Cups In The South Of France’

Seth Narley has been steadily building one of the more compelling catalogs coming out of New York’s underground scene. Born in the Bronx, the rapper has spent the last year maintaining an impressive pace, balancing consistency with artistic growth. Releases like Oceans Mondrian and Welcome to the Show showcased his ability to pair vivid writing with focused execution, and his latest collaborative EP with producer Creestal, Prada Cups In The South Of France, feels like another confident step forward.

Across four tracks, Narley and Creestal strike a balance between luxury and grit, creating a project that feels equally cinematic and streetwise. Creestal’s production provides a rich backdrop throughout, blending soulful textures, orchestral flourishes, and understated elegance while leaving plenty of room for Narley’s storytelling to take center stage.

The EP opens with “Jordan On The Baseline,” immediately establishing the project’s atmosphere. Creestal’s sweeping instrumental carries a sense of grandeur without losing its edge, while Narley fills the space with sharp observations and imagery-driven lyricism. The result is a track that feels polished but never overly refined, maintaining the raw energy that runs throughout the project.

That momentum continues on “2 Thousand On The Knicks,” where warm guitar melodies and a driving rhythm section create one of the EP’s most memorable soundscapes. Narley sounds particularly comfortable here, delivering verses with the confidence of an artist fully settled into his style. There’s an ease to his performance that makes the song feel effortless without sacrificing precision.

“Unplugged From Marseille” shifts the mood. Creestal leans into a hazier, more relaxed palette, allowing the record to breathe while expanding its emotional range. Narley adapts naturally, weaving together vivid scenes and charismatic bars that make the track feel less like a detour and more like another layer of the project’s identity.

Closing track “Celia Cruz & Gloria Estefan” brings everything together. Soulful production, subtle gospel influences, and a sense of nostalgia give the song a reflective quality, while Narley’s measured delivery ties the EP’s themes together. It serves as a fitting conclusion to a project built on contrasts—luxury and struggle, refinement and rawness, ambition and reflection.

At just four tracks, Prada Cups In The South Of France doesn’t overstay its welcome. Instead, it leaves a lasting impression through strong chemistry between artist and producer, thoughtful songwriting, and a clear creative vision. For Seth Narley, it’s another reminder that consistency doesn’t have to come at the expense of quality. If anything, this latest release suggests he’s only getting sharper with each project.

Listen to Prada Cups In The South Of France here now:

Listen on more platforms HERE.

Connect with Seth Narley: Spotify | Instagram | Twitter

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Mark Saunders’ ‘IN DUE TIME’: Vulnerability, Grit, and Craft

Mark Saunders, a Bronx-born vocalist and rapper emerging from the heart of hip-hop’s birthplace, steps forward with a distinctive voice shaped by introspection, experimentation, and unwavering drive. Continuing to carve out his own space within the ever-evolving hip-hop scene, Saunders releases his newest project, the resonant, reflective ‘IN DUE TIME’. 

At times defiant, and at times deeply personal or transcendent, ‘IN DUE TIME’ is a layered listen that showcases Saunders’ ability to both bring raw, unfiltered energy, as well as thoughtfully crafted, heartfelt storytelling. Although versatile, the tracks on ‘IN DUE TIME’ each bring a sense of passion that draws the listener in and provides a gripping listen. 

Opening track “The Holy Mecca” is a powerful introduction to ‘IN DUE TIME’, containing an urgent, cinematic sound, paired with sharp, introspective verses about overcoming obstacles and staying true to one’s vision despite opinions. “SCAPEGOATS”, featuring Ja’king the Divine and Javi Darko, contrasts the first song’s hard-hitting sonics with graceful, jazz-laced instrumentation and pensive, yet cathartic vocals. “BRUH BRUH” further showcases Saunders’ versatility with a trap-influenced, orchestral instrumental, bringing forth hypnotic flows atop booming rhythms. “N.O.R.E (What!?)” featuring Israel Jones blends a lush, jazzy beat with energetic verses that demonstrate a natural chemistry between Saunders and Jones. “Inshallah”, featuring B-Hill, closes the ‘IN DUE TIME’ by tying together the project’s themes of resilience and authenticity in the poignant first two verses, with closing lines and a voicemail that are an emotive, soul-stirring tribute dedicated to Saunders’ Mother. 

Taken as a whole, Mark Saunders’ ‘IN DUE TIME’ is a compelling journey through vulnerability, strength, and artistry, affirming Saunders as a voice in hip-hop unafraid to explore both the personal and the powerful.

Check out ‘IN DUE TIME’ on Bandcamp HERE and support the artist directly.

Listen to ‘IN DUE TIME’ here:

Connect with Mark Saunders here.

Photo credit: @idrisoptix

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Maudixi shares emotive new single “Nothing So Divine” [Video]

Baton Rouge’s rising alternative R&B voice Maudixi is steadily carving out a space that feels entirely her own. Blending elements of neo-soul, indie rock, and bedroom pop, her music carries a quiet confidence- one rooted in emotional honesty and a deep sense of self-awareness. With each release, she leans further into introspection, exploring themes of healing, personal boundaries, and self-clarity.

Following the warm reception of her recent single “not listening,” Maudixi returns with “Nothing So Divine,” a track that feels equal parts intimate and expansive. Built on a foundation of lush, groove-driven instrumentation, the song draws listeners in with immersive keyboards, buoyant percussion, and a rich, organic bassline that pulses gently beneath the surface. The production feels alive- vibrant without being overwhelming, polished yet retaining a natural feel that complements her vocal delivery.

Vocally, Maudixi shines, as she glides effortlessly across the track, her silky tone weaving through the instrumentation with a sense of ease and intention. She brings forth melodies that are airy and atmospheric, and at other times grounded and deeply felt- allowing the emotional weight of the song to unfold naturally.

The accompanying music video mirrors the song’s tone with a warm, understated visual approach. Rather than using heavy stylization, she leans into something more organic and grounded, which enhances the track’s emotional core without distracting from it.

With “Nothing So Divine,” Maudixi continues to refine her artistic voice, proving she’s not only capable of crafting immersive sonic landscapes but also of delivering songs that linger long after they end. It’s another step forward for an artist whose strength lies in her ability to connect- softly, honestly, and with intention.

Listen to “Nothing So Divine” here now:

Watch the music video for “Nothing So Divine” here now:

Connect with Maudixi: Instagram

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Bad Luck Brigade share expansive, dynamic new album ‘NOTHING’

Bad Luck Brigade have shared a new album, titled NOTHING. Out of Salt Lake City, Bad Luck Brigade has carved out a sound that feels deliberate, soulful, and intense. The six-piece outfit approaches hip-hop as a living, breathing form, built not on backing tracks but on the vitality of a full band. Drums snap and swing, basslines rumble, guitar and keys stretch the harmonic edges, and horns cut through with sharp punctuation. At the center, the vocals arrive urgent and unfiltered- lyrically dense and delivered with conviction.

Founded in 2022 by Kilow and Ikaika Meatoga, Bad Luck Brigade quickly earned a reputation for explosive, exhilarating live shows. The band balances gripping energy with tight arrangements that leave room for improvisation, as well as moments of chaos that resolve into precision. It’s jazz-minded in spirit, hip-hop in backbone, and truly their own.

On their latest album NOTHING, Bad Luck Brigade stretch the boundaries of live hip-hop, shaping a project that moves with intention, range, and a clear sense of identity. “A LITTLE” is an immediate statement of intent driven by tight grooves and incisive verses that put the group’s technical precision front and center. “FREE CIGS” follows with a looser, playful spirit, folding rugged textures into a rhythm that swerves confidently across stylistic lines. Midway through, “SHADED” settles into a mellow, soulful pocket, offering a moment of clarity and quiet optimism that deepens the album’s emotional range. “JACKPOT!” leans into spontaneity, channeling elements of free jazz and funk into a fluid, inviting performance that balances finesse with risk. “LOVER FIGHTER” stands out towards the end of the track-list for its sharp musicianship and unfiltered delivery, for a resonant listen.

Their latest album NOTHING captures a group operating with trust in one another and conviction in their sound, translating the urgency of their live show into a record that feels immediate, cohesive, and built to last.

Listen to NOTHING on all platforms HERE.

Connect with Bad Luck Brigade: Instagram

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Maris O’Tierney finds solace and space on Park Hills Circle debut “Sight of the Moon”

Chicago singer-songwriter Maris O’Tierney has introduced her new solo outfit, Park Hills Circle, with the release of her debut single “Sight of the Moon,” which arrived on Dec. 17.

Formerly a co-leader of the indie-folk outfit Maeve & Quinn, O’Tierney’s move into a solo space finds her expanding her sound rather than retreating inward. On “Sight of the Moon,” she marries Midwest emo–tinged guitar work with Americana-influenced string arrangements, quietly complemented by sparse, deliberate percussion.

O’Tierney weaves the storytelling traditions of her Irish heritage with the vast, mountainous atmosphere of her home state of Alaska, while subtly drawing on her background in classical music. The result is a sound that feels both grounded and expansive, intimate yet windswept.

“‘Sight of the Moon’ is a tender unfolding — a return to myself, and a re-awakening to daily wonders, as my perspective slowly shifted through a disorienting period of change,” O’Tierney said. “I was living alone for the first time, understanding my needs and desires, learning to make a home. The song bridges parts of myself: origins in opera and classical guitar, layered with a loop pedal and nested harmonies. I’ve always centered my spirit through quiet walks in the cold night air, as I did growing up in the Alaska mountains. The song began there.”

Her lyrics are soaked in sorrow and quiet reflection. “I still have the leaf you gave me, the autumn that you left / I still have the grief you gave me, but that’s not all I kept,” she sighs, her crisp, legato vocals stretching effortlessly over the song’s nocturnal instrumentation.

“Sight of the Moon” serves as the lead single from Park Hills Circle’s debut album, All of a Sudden, set for release this spring.

Stream “Sight of the Moon” HERE.

(Photo credit/Maren Celest)

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Jamal J. shares cinematic, thought-provoking album ‘My Armada & the Bitter Waters of Marah’

Jamal J. has shared a new album, My Armada & the Bitter Waters of Marah. The LP follows his earlier release, Babilu (Redition), with another monumental record built with the tension, depth, and world-building of a short film. On My Armada & the Bitter Waters of Marah, each track is infused with a sense of clarity and dimension, pairing intricate, mind-expanding lyrics with elegant, ethereal instrumentals that give the album a refined, cinematic quality. Moments of rawness and haunting beauty coexist as self-aware, detailed lyrics flow across soulful, boundary-pushing production with calm, collected ease.

The hypnotic, immersive sound of Saint Kay–produced tracks like “Salmonella” and “The Titan Kronos” draws the listener into the album’s ethereal atmosphere early in the tracklist, as Jamal J. demonstrates a unique ability to weave disparate phrases and words into vivid, fresh imagery. “Dichotomy,” produced by Reallyhiiim and featuring ANKHLEJOHN, layers a shimmering, infectious loop with organic production that sits neatly beneath the emcees’ poised, memorable lines. “Mudras & Gang Signs,” featuring Israel Jones, creates a hazy, thought-provoking atmosphere, bolstered by the duo’s richly poetic verses. “Weigh Me Down,” featuring Sol Chyld, stands out near the album’s culmination with reflective lyricism atop soaring samples and organic percussion.

Both meditative and invigorating, My Armada & the Bitter Waters of Marah is a layered record that draws the listener deeper into Jamal J.’s world. He continues to prove himself as a musician who cannot be boxed in- an artist who follows his own path with conviction while delivering emotive, expressive work.

Listen to My Armada & the Bitter Waters of Marah here now:

Listen HERE on all platforms.

Connect with Jamal J.: Instagram | X