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808 BEEZY shares infectious new EP, ‘4 SUCH A TIME AS THIS’

808 BEEZY has shared an infectious new EP, titled 4 SUCH A TIME AS THIS. A prolific, versatile artist who has been on a run of late, releasing potent singles like “STILL 30 FOR 30”, “Need Some Mo 2”, and more- 808 BEEZY returns once again with an energizing, emotive EP in 4 SUCH A TIME AS THIS.

The triumphant, powerful intro “GATEKEEP!” displays 808 BEEZY’s commanding flows, sharp lyricism, and engaging songwriting. The atmospheric, sweltering instrumentation of “STILL 30 FOR 30” creates an ominous, immense feel, further enhanced by 808 BEEZY’s raw vocals and focus on the mic. “THE BLOOD” makes for a passionate closer that pairs haunting, poignant production with a standout performance from 808 BEEZY that matches the track’s electrifying rhythms and sound.

The eccentric 808 BEEZY is what happens when optimism meets melodic trap. The Arkansas-raised artist wraps emotional storytelling over hard-hitting 808s. From concept to delivery, rising artist, 808 BEEZY effortlessly captivates and woos his listeners with witty punchlines and ear-grabbing production.

After undergoing a rebrand in late 2023 (formerly known as YB), the artist now producer has continued his streak of catchy releases. 10+ million independent streams later, 808 BEEZY is just getting started.

Take a listen to 808 BEEZY’s latest offering, 4 SUCH A TIME AS THIS here now:

Connect with 808 BEEZY: Spotify | Instagram

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Blog For the Record Roundhouse Features

For the Record: An Interview with rimhan

Los Angeles’ rimhan is a multi-talented artist coming out of the West Coast who continues to push forward with heartfelt, captivating offerings. With a penchant for personal, raw lyricism that is often deeply introspective, as well as an ear for soulful, versatile instrumentals, rimhan continues to build a prolific discography. Recent offerings like the full-length project ‘soul food for the family’ as well as his newest single “HELL IN A CELL” with Nebraska’s Sleep Sinatra display a lyrical depth and multi-layered approach, with a series of instrumentals that are engaging and often intricate. We sat down with the Los Angeles artist to talk about his early inspirations in music, storytelling, releases ‘soul food for the family’ and “HELL IN A CELL” and more.

Roundhouse Music: Growing up, what initially inspired you to begin creating music?

rimhan: Growing up, what influenced me to make the music that I make is every day life and the things that I go through. I’ve never really been influenced by anyone else’s music. I’m mostly influenced by real life and the things that are going on around me. Real life is the best influence that you can have if you make music.

Roundhouse Music: How did the music and arts scene in Los Angeles influence you as an artist?

rimhan: When I first got involved with the scene, it was filled with a bunch of people that I was already listening to and growing up with. People like Pac Div, OFWGKTA, TDE & The Dogg Pound really influenced my sound. All of my influences are different now that I’m older and more mature.

Roundhouse Music: What’s your songwriting process like approaching a new track?

rimhan: That’s a hard question for me to answer, because I don’t usually approach a track when it’s time for me to record it. But if I have to really think about it, most of the time I’m writing the song before I even hear the beat that I’m gonna rap on. Then, when I hear the beat that I’m gonna use, I just figure out how I’m gonna use this shit that I already wrote before I heard the beat. Usually works like that to be honest.

Roundhouse Music: What do you look for in instrumentals that inspires you to write?

rimhan:  What I look for in a instrumental is the energy that I need in order to complete the song. If the beat doesn’t have the energy that I need, I’m not even gonna use it. And I can usually feel the energy within the first five seconds of the instrumental. If it’s not something that I’m feeling then I’m not gonna use it. I’ve always been that way.

Roundhouse Music: Your storytelling feels very vivid, how do you approach storytelling when writing a song?

rimhan:  Everything that is a part of my storytelling is something that I’ve gone through in my real life. To me it doesn’t even feel like I’m telling a story, it just feels like I’m getting something off my chest that I’ve been wanting to say for a while. Depending on the instrumental, things can really get deep, depending on the subject matter of what I’m talking about.

Roundhouse Music: Can you talk about the inspiration behind your recent mixtape ‘soul food for the family’?

rimhan: ‘soul food for the family’ is a tape that was inspired by all of the Sundays that I spent at my grandma’s house eating with the family. It was also inspired by all of the trials and tribulations that I’ve had as a black man living in Los Angeles, California. It doesn’t just represent the food that we eat physically on a daily basis, but it also represents the food for thought that is provided through everyday outlets.

Listen to ‘soul food for the family’ here on BandCamp.

Roundhouse Music: What was the inspiration for your latest song “HELL IN A CELL”?

rimhan: I be going to jail, bro. Lol. I guess the inspiration for this song is based on me telling myself that I really need to stay out of jail and focus on music.

Roundhouse Music: How did the collaboration with Sleep Sinatra for your new song “HELL IN A CELL” come together?

rimhan: To answer your question honestly, I don’t even have a clue. He sent me a beat one day and I didn’t like it, but then he sent me another beat and it was something that I ended up fucking with, so I made a song on it. Now he’s sending me a bunch of beats, and we’re working on something that we’re gonna drop in October or the top of November.


Roundhouse Music: What do you hope listeners take away from your new song “HELL IN A CELL”?

rimhan: Get up off your ass and make your mama proud.

Listen to “HELL IN A CELL” here on BandCamp and support the artist directly.

Roundhouse Music: Do you have a song that you’ve created that you feel most close to and if so, why?

rimhan: It’s honestly not just one song, it’s a whole project. And that project would be ‘Live from the Other Side’. It’s a very emotional project and it involved a lot of crying and yelling and raw emotion. I love it dearly.

Listen to ‘Live from the Other Side’ here on BandCamp.

Roundhouse Music: What can we expect next from you on the horizon in music?

rimhan: I got so much music on the way, and I have videos for all of the music that is going to be released. I just need to people to be patient with me. That’s all I ask.

Thank you for having me.

Connect with rimhan: BandCamp | Instagram | Spotify | Twitter

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Blog For the Record Roundhouse Features

For the Record: An Interview with Ché

New York’s Ché is a dynamic artist whose versatile sound spans genre influences, with an ability to sound at home on both warm, soulful sounds and those noisier and harsh. Inspired by his diverse upbringing across the borough of Brooklyn, he’s an artist committed to staying true to his creative impulses while willingly exploring new territory with each release. Since his 2023 self-titled debut album CHÉ, we’ve been impressed by his sharp songwriting, ability to craft poignantly personal lyrics, and outside-the-box, creative approach. He has been continuing his trajectory with two recent singles, “JUDY” and “YUKON GOLD”, which both take on lives of their own with their character-rich sound- with “JUDY” displaying a vibrant, R&B-influenced style and “YUKON GOLD”‘s brash, raw lyricism presenting an enticing energy. At Roundhouse Music, we sat down with Ché to talk about his beginnings in music, recent tracks “JUDY” and “YUKON GOLD”, his independent label GLTTR Records, and more.

Roundhouse Music: Growing up, what initially inspired you to begin creating music?

Ché: My love for creative writing and poetry birthed my passion for songwriting and music. Initially (and still now) I wanted to be an author. Once I was introduced to the Harlem Renaissance back in middle school,and discovering rappers like Kendrick and Childish Gambino. A whole new dimension opened up to me in terms of what words can do.

Roundhouse Music: Where did you grow up in New York and how did being around the arts and music scene in NYC influence you as an artist?

Ché: I grew up all over Brooklyn. I started off in Park Slope for my childhood, then in sophomore year of high school we moved to Flatbush. Each of these areas was filled with so many different types of personalities and mini groups/scenes that I gained this super wide lens perspective on life. From hanging out with the private school kids. To playing basketball with kids from the hood. All of these friends that I had allowed me to tap into a bunch of different subcultures. It deepend my artistic reference pool.

Roundhouse Music: Your sound feels very versatile and genre-bending- which genres do you draw from most when creating music?

Ché: I’d say it changes depending on the space I’m in. But most consistently I draw from early to mid 2010s hip hop, 70s soul, and latin jazz. However recently, the music I’ve been workshopping has had a heavy 80s/90s punk influence. So it really depends on where I’m at in life and where I feel I need to go next.

Roundhouse Music: What’s your songwriting process like approaching a new track?

Ché: Typically I like to write at home when I’m alone. Since my music can get pretty personal, I don’t think I can produce the most honest work, when I’m around people. I have done it with success, but I think the best Ché comes from when I’m home alone and get to pace around and talk to myself. Most of my songs come from me just talking to myself and a phrase I said will stick out. That’ll be the launching pad for the rest of the track.

Roundhouse Music: How important is it to you to keep trying new things and staying creative as an artist? I feel like you’re not an artist who can be limited to one box.

Ché: I think it’s imperative. I’m a real human being, in real life, and I grow and change and develop new things. If I robbed myself of expressing that change in my music. I’m doing this for the wrong reasons. Music has always been a vehicle for self expressions and charting your personal changes. So as I mature I want the art to reflect that. I love MUSIC, as a whole, not just a specific corner of it. So when I feel like my skills match my drive and love for a sound, and if I feel it’s organic. I’m going to run towards it.

Roundhouse Music: Which song do you hold as the most special to you personally, and why?

Ché: I’d say it’s a song I actually just made and haven’t released. It’s this super bombastic and aggressive rap track with the nastiest beat switch I think I’ve ever made. But the reason I love it so much is because it’s EXACTLY what I want to do. I don’t feel like I pulled any creative punches. All the music to come out after this next EP is gonna be really shocking to some people. Because it’s me fully showing how deep the creative bag I have is. 

Roundhouse Music: What inspired your recent song “Judy”?

Ché: Judy was such an organic and natural song. Me and Jared were just in the studio and he stumbled across the drums and I liked it. We kind of went into our own worlds for 20 minutes and afterwards I had fully written the song, and he had the whole beat finished. I was in a lovey dovey but somber mood and wanted to play around with inflection. In my mind I imagine some southern cowboy dude singing about his first great heartbreak in an empty saloon.

Roundhouse Music: How did your new song “Yukon Gold” come together? What was your experience like creating it? 

Ché: Yukon Gold was kind of last minute. I knew I wanted the next EP to have four songs, but we were at three and If I didn’t make something relatively soon we’d either push the project back or release it with three. I was randomly crate digging one day and stumbled across the record we sampled, took it home, isolated the moments I liked most, completely wrote the song over the loops I made. Then I took it to Jared and he took it to the next level. 

Roundhouse Music: It’s really cool that you have your own record label as well and are releasing music under it. Can you talk about what’s happening with your record label GLTTR Records?

Ché: I’m so happy you asked. I always wanted my own label, and beyond that, an art house. A space where myself and other people can be creative and actually feel represented and supported. While in its current state, I’m just trying to build up the brand and more so focus on myself. The goal isn’t to simply sign artists. I want to cultivate a communal space for independent creatives so they can have the resources to make music and have it be heard. There are so many gifted people in the world, and it’s so difficult to gain exposure.  With GLTTR Records I’m aiming to establish a landing pad for new and novice talent, so when they do step into this industry. They don’t get ripped in half.

Roundhouse Music: What can we expect next from you on the horizon in music? 

Ché: Consistency. I’ve hit a creative stride as of late and I want to keep the ball rolling. That means lyric videos, music videos, more singles, maybe even a Yellow Machine deluxe if it makes sense. I want to be creating and releasing stuff as much as possible. While also putting all the pieces together in the shadows for this next album. The next project is really special to me and I’m flooded with the same feeling I felt when I was a kid first making music. So while I put all that together, you can expect me to still be dropping dope stuff and staying consistent.

Listen to Ché’s discography HERE.

Connect with Ché: Spotify | Instagram | YouTube

Connect with GLTTR Records: Website | Instagram

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Blog For the Record Roundhouse Features

For the Record: An Interview with Phoenix James

By Jacob Ezra

Phoenix James is a rising force in the vibrant South Florida music scene, who has established herself as a daring, versatile singer-songwriter and producer across a vibrant discography. Soulful and genre-bending- her sound and songwriting emanates focus and intentionality while remaining expressively heartfelt. Phoenix’s versatile approach to music makes it difficult to place her work in one box, with multi-faceted releases that stay committed to remaining authentic. Her discography demonstrates range, with radiant projects like 2022’s New Stages EP presenting a refreshing, atmospheric take on alternative R&B, while her most recent solo release “Digital”‘s sleek, left-field electronic influences pushes towards the future. We sat down with Phoenix to discuss her beginnings, songwriting process, her new song “Digital” and more.

Roundhouse Music: What were some of your earliest inspirations to start creating music?

Phoenix: I think hip hop was definitely my first love. My Dad would put on MTV and I became obsessed with Missy Elliot, and when my dad explained that she was a producer, and what a producer was, I wanted to do exactly that. On the songwriting end, listening to the channel orange album was life-changing for me. The album felt like literature, and it made me dive into songwriting. 

Roundhouse Music: What was it like for you growing up in Miami as far as being immersed in its music and artistic scene?

 Phoenix: I literally would not have wanted to grow up anywhere else. Musically I learned so much from the mix of different cultures! The “Limbs” chord progression is derivative of a salsa progression. I grew up playing in different bands at house shows and student organized shows before dropping any music of my own. Miami and South Florida are filled with extremely talented musicians.

Roundhouse Music: What was your process like creating your latest song “Digital”?

 Phoenix: “Digital” was really just a songwriting/beat making exercise. I was trying to get out of the slow song headspace. I like to practice songwriting by giving myself a prompt, and the prompt was “write about people who care more about the portrayal of their relationships on social media than the actual relationships”. I wasn’t going to release it, but I played it for a couple of people and they really liked it, so I decided to release it. It’s fun haha 

Roundhouse Music: What inspired the electronic-infused sound on “Digital”?

 Phoenix: I don’t think anything really inspired it directly, Ive just been making a lot of stripped down music, so I wanted to have fun! 

Roundhouse Music: What’s your songwriting process like?

 Phoenix: The answer to this question is constantly changing haha. My songwriting process always depends on what I’m doing, so it’s never a set thing. Sometimes a poem I write turns into lyrics (“Limbs”), sometimes I fully finish a beat and then I write ( I did that on “Digital”), sometimes I am writing lyrics in my head and producing at the same time (it’s weird) and sometimes Abner Dennis has me just start free-styling on the mic and we go bar by bar (“Peace” & “Contact High”), sometimes it’s Abner still working on the beat and I’m writing. It’s never the same.

Roundhouse Music: I know you recently performed at SOB’s in New York, what was your experience like performing there?

 Phoenix: SOBs was so cool. Just seeing the list of legendary artists that had been on that same stage, and talking to the engineer about who his favorite performers were. The crowd was a little rude though, a bunch of NYU kids talking through all of the performances, but it’s all good haha. I’m big on concert etiquette. 

Roundhouse Music: Would you consider yourself a spiritual person? I think your music has a spiritual feel. If so, how does it contribute to your creativity and artistry?

 Phoenix: I definitely am spiritual, I think every musician is whether they think it or not. A spiritual feel? I don’t think anyone’s ever told me that haha, that’s cool, thank you. I think for me, it’s all about digging as deep as possible to connect to myself. Getting into the flow state and just word/melody vomitting everything out. I try to make sure everything comes from a place of presence and intention. 

Roundhouse Music: Do you have a favorite experience collaborating with another artist?

 Phoenix: I don’t think I’m allowed to talk about my favorite collaboration just yet, but I love working with artists that are free in the way they express themselves, and are down to try anything. Another favorite would definitely be working with Frank Sativa though, he’s a genuine person and super talented. We had fun in the studio. 

Roundhouse Music: Do you have a favorite song that you’ve created and what makes it hold a special place for you?

 Phoenix: I have an unreleased song that was just an insane experience to make. I took a substance with my friends in LA and we stayed up until the sun rose working on the song. The song is unlike anything we’ve ever made. When I play it for people they are kinda just like “woah” which I love haha.

Roundhouse Music: What’s on the horizon for you in music?

 Phoenix: An ALBUM is on the horizon, I’m not gonna say too much right now, but I am sharpening my sword. Definitely excited for what’s to come. 

Listen to Phoenix James’ discography HERE.

Connect with Phoenix James: Spotify | Instagram | YouTube