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For the Record: An Interview with rimhan

Los Angeles’ rimhan is a multi-talented artist coming out of the West Coast who continues to push forward with heartfelt, captivating offerings. With a penchant for personal, raw lyricism that is often deeply introspective, as well as an ear for soulful, versatile instrumentals, rimhan continues to build a prolific discography. Recent offerings like the full-length project ‘soul food for the family’ as well as his newest single “HELL IN A CELL” with Nebraska’s Sleep Sinatra display a lyrical depth and multi-layered approach, with a series of instrumentals that are engaging and often intricate. We sat down with the Los Angeles artist to talk about his early inspirations in music, storytelling, releases ‘soul food for the family’ and “HELL IN A CELL” and more.

Roundhouse Music: Growing up, what initially inspired you to begin creating music?

rimhan: Growing up, what influenced me to make the music that I make is every day life and the things that I go through. I’ve never really been influenced by anyone else’s music. I’m mostly influenced by real life and the things that are going on around me. Real life is the best influence that you can have if you make music.

Roundhouse Music: How did the music and arts scene in Los Angeles influence you as an artist?

rimhan: When I first got involved with the scene, it was filled with a bunch of people that I was already listening to and growing up with. People like Pac Div, OFWGKTA, TDE & The Dogg Pound really influenced my sound. All of my influences are different now that I’m older and more mature.

Roundhouse Music: What’s your songwriting process like approaching a new track?

rimhan: That’s a hard question for me to answer, because I don’t usually approach a track when it’s time for me to record it. But if I have to really think about it, most of the time I’m writing the song before I even hear the beat that I’m gonna rap on. Then, when I hear the beat that I’m gonna use, I just figure out how I’m gonna use this shit that I already wrote before I heard the beat. Usually works like that to be honest.

Roundhouse Music: What do you look for in instrumentals that inspires you to write?

rimhan:  What I look for in a instrumental is the energy that I need in order to complete the song. If the beat doesn’t have the energy that I need, I’m not even gonna use it. And I can usually feel the energy within the first five seconds of the instrumental. If it’s not something that I’m feeling then I’m not gonna use it. I’ve always been that way.

Roundhouse Music: Your storytelling feels very vivid, how do you approach storytelling when writing a song?

rimhan:  Everything that is a part of my storytelling is something that I’ve gone through in my real life. To me it doesn’t even feel like I’m telling a story, it just feels like I’m getting something off my chest that I’ve been wanting to say for a while. Depending on the instrumental, things can really get deep, depending on the subject matter of what I’m talking about.

Roundhouse Music: Can you talk about the inspiration behind your recent mixtape ‘soul food for the family’?

rimhan: ‘soul food for the family’ is a tape that was inspired by all of the Sundays that I spent at my grandma’s house eating with the family. It was also inspired by all of the trials and tribulations that I’ve had as a black man living in Los Angeles, California. It doesn’t just represent the food that we eat physically on a daily basis, but it also represents the food for thought that is provided through everyday outlets.

Listen to ‘soul food for the family’ here on BandCamp.

Roundhouse Music: What was the inspiration for your latest song “HELL IN A CELL”?

rimhan: I be going to jail, bro. Lol. I guess the inspiration for this song is based on me telling myself that I really need to stay out of jail and focus on music.

Roundhouse Music: How did the collaboration with Sleep Sinatra for your new song “HELL IN A CELL” come together?

rimhan: To answer your question honestly, I don’t even have a clue. He sent me a beat one day and I didn’t like it, but then he sent me another beat and it was something that I ended up fucking with, so I made a song on it. Now he’s sending me a bunch of beats, and we’re working on something that we’re gonna drop in October or the top of November.


Roundhouse Music: What do you hope listeners take away from your new song “HELL IN A CELL”?

rimhan: Get up off your ass and make your mama proud.

Listen to “HELL IN A CELL” here on BandCamp and support the artist directly.

Roundhouse Music: Do you have a song that you’ve created that you feel most close to and if so, why?

rimhan: It’s honestly not just one song, it’s a whole project. And that project would be ‘Live from the Other Side’. It’s a very emotional project and it involved a lot of crying and yelling and raw emotion. I love it dearly.

Listen to ‘Live from the Other Side’ here on BandCamp.

Roundhouse Music: What can we expect next from you on the horizon in music?

rimhan: I got so much music on the way, and I have videos for all of the music that is going to be released. I just need to people to be patient with me. That’s all I ask.

Thank you for having me.

Connect with rimhan: BandCamp | Instagram | Spotify | Twitter

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conswank shares emotive new release, “Let It All Go” [Video]

conswank has dropped off a new song and video, titled “Let It All Go”. conswank, an artist from Burlington Vermont, has started his solo musical world after being apart of group 99 Neighbors, and he is now venturing into his own sound and dynamic. conswank has been steadily building a beautiful story-driven discography about his life, detailing the positives, as well as as all of the challenges that lie within it. His latest offering, “Let It All Go”, is an atmospheric, sharply-crafted release brimming with emotion, that puts his versatile, genre-bending sound on full display.

On “Let It All Go”, ethereal keys build dynamically beneath conswank’s cathartic vocals, as they track takes on an atmospheric feel. Weaving guitars and elegant strings are added beneath to a lush, vibrant effect, as conswank brings forth a memorable hook that distills the song’s feel of wistfulness. A potent new release, “Let It All Go” has been released alongside a fresh visual directed by Vinay Umapathy that captures the song’s poignant narratives with cinematic, focused shots that are emotionally vibrant and yet captivatingly real.

Listen to “Let It All Go” here and check out the new music video as well:

Connect with conswank: Spotify | Instagram | Twitter

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Lord Sko and Statik Selektah join forces for engaging single “Lesson Learned”

Lord Sko and Statik Selektah have joined forces for a new single called “Lesson Learned”. This new single finds the prolific NYC emcee weaving together imagery-rich, charismatic flows atop mainstay Statik Selektah’s refreshing loops and raw drums. The track’s nonchalant atmosphere, potent, observant lyricism, and lush production lend to a track that is effortlessly enjoyable. Sko and Statik Selektah share a natural chemistry that translates to “Lesson Learned”‘s butter smooth sound. Accompanied by a new video shot in front of some classic scenery in New York adds to the track’s unpretentious, relaxed feel, “Lesson Learned” makes for an engaging new release from Lord Sko and Statik Selektah. Give “Lesson Learned” a listen here now and check the new video out as well while you’re at it.

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Pariah Pete releases dynamic new album ‘Terminal A’

Pariah Pete has released a new album, titled Terminal A. A versatile, dynamic artist from Phoenix who has been steadily building a discography of releases that explore soul, funk, and jazz to better understand the roots of hip-hop, while also performing alongside his live band The Mercuries. His latest offering, Terminal A, is a refreshingly personal release that blends warm sonics with sharp, often introspective, songwriting for an engaging listen throughout. Demonstrating Pete’s unique sound, which often blends elements of funk, jazz, dance, and more- Terminal A is a record that leaves no dull moments.

“Sunkissed” is a potent opener that finds Pete delivering layered vocals that are heartfelt while also emanating charisma and wit in his lyricism, backed by warm, grooving instrumentation. “100 Degrees” blends infectious, funk-laced production with commanding vocals for a memorable listen, while “Tropicana”‘s emotive keys, rich bass, and soulful vocals make it a highlight on Terminal A. A refreshing project chock full of personality and character-rich moments, Terminal A presents a diverse, emotive offering from Phoenix’s Pariah Pete. Give Terminal A a listen here now.

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Gio Genesis’ EP ‘Second Nature’ makes for a refreshing listen

New York artist Gio Genesis‘ EP Second Nature is a refreshing project that blends vital, atmospheric soundscapes with heartfelt, expansive vocals for a poignant listen. Emanating focus with its vivid instrumentation, powerful vocals, and sharp songwriting, Second Nature finds Genesis delivering dynamic tracks that cannot be placed into one box. With elements of alternative R&B, hip-hop, DnB, and more- Second Nature finds Genesis unwilling to limit himself sonically, to admirable effect.

Title track “Second Nature” is a hypnotic opener that vibrantly blends flourishes of R&B with DnB and garage influences for a versatile listen. “Easy”, featuring Donte Thomas and Tyjhier, is a cathartic, freeing track that includes layers of breezy instrumentation building atop a crisp drum line, highlighted by the track’s energizing vocals. “Deposit” is a soulful, inspiring finisher that closes out Second Nature at a high point, putting Genesis’ diverse vocals on full display with introspective lyricism. Give Second Nature a listen here now.

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Mark Saunders releases potent “BRUDDAHOOD” short film

Mark Saunders has released a new “BRUDDAHOOD” short film, which has come after the release of the well-received single of the same name. A multi-layered, expressive visual from Saunders that captures the song’s potency, Saunders directed the film himself alongside Luis Vazquez, and he provides the vocals on the lucid fifth verse alongside a talented cast of collaborators that includes TeeDotOhh, Ducksauce, Flii BooGiie, and SNS. The “BRUDDAHOOD” short film is a focused, engaging look into Saunders’ artistic realm with its cohesive synergy of sound and imagery that feels raw and authentic throughout. The visual’s stark, nocturnal shots and fast-paced editing give it a bracing energy while at the same time, it feels down to earth and intimate- giving it an intriguing contrast that adds much character. The short film captures the track’s themes of “BRUDDAHOOD” as it follows Saunders, TeeDotOhh, Ducksauce, Flii BooGiie, and SNS through captivating performances, as the song’s gritty instrumentation and heavy drums suitably soundtrack the dark, energizing feel.

The “BRUDDAHOOD” film further showcases Saunders ability to merge different mediums and release multi-layered offerings that fulfill a larger vision. With the film’s poignant narratives, dynamic shots, and memorable performances capturing themes of camaraderie and brotherhood- paired with the song’s textural, intense feel- “BRUDDAHOOD” makes for a cohesive, thoughtful new offering directed by Saunders and Luis Vazquez.

Mark Saunders is a multi-talented artist from The Bronx, New York who pushes boundaries with his releases by combining various artistic disciplines in ways that challenge convention. Driven by a desire to inspire, motivate, and tell a story of many, Saunders seeks to find something universal and bring it out in his work, giving his output an authentic, engaging feel throughout. His latest offering, the “BRUDDAHOOD” short film, marks another entry in his growing catalogue of multi-layered, thought-provoking releases. Watch the “BRUDDAHOOD” short film here now:

Stream “BRUDDAHOOD” here:

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Chris Celestial shares vivid new song, “Keep Holdin On”

St. Louis native Chris Celestial is back with a new single called “Keep Holdin On”. Continuing his prolific run of organic, soulful tracks, “Keep Holdin On” provides a sense of relief with its emotive sampling, rich rhythm section, and calming, introspective verses from Celestial. Motivating and refreshing, the track blends imagery-rich lyricism with a tapestry of warm samples for a breezy, yet reflective, soundtrack for the summer. Accompanied by a fresh music video shot by Tobi that enhances the track’s colorful, thoughtful feel, “Keep Holdin On” is a memorable new offering from Chris Celestial. Give “Keep Holdin On” a listen here now and check out the new music video as well while you’re at it.

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Nick Coleman and The Adoni “Count It” on energizing new single

Los Angeles’ Nick Coleman and New Orleans’ The Adoni have dropped off a new collaborative single called “Count It”. On this new track, the pair demonstrate a kinetic chemistry atop an infectious instrumental that is both smooth and energizing. With undertones of triumph laced into reverb-soaked guitars, booming drums, and massive 808s, “Count It” is an empowering track that finds Coleman and The Adoni dropping charismatic bars that blend together seamlessly. A single from the pair’s anticipated collaborative EP, “Count It” makes for an enticing new offering. Give it a listen here now.

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Seth Narley drops off soulful EP ‘S.A.L.Y.’

South Bronx, NY artist Seth Narley has dropped off a new EP, titled S.A.L.Y. Born Raymon Calleja, S.A.L.Y. is the latest offering in a series of potent releases that have included A MILLBROOK STORY, NIGHT AT THE ROXY, and more. Here, Narley tackles a set of soulful, stripped back beats that bring his present, clear delivery and penchant for introspective, cathartic lyrics to the forefront for a vivid listen.

Energizing soul samples, airy percussion, and rich bass-lines accentuate the warm, emotive feel of the set of four tracks, paired with an engagingly raw sound and approach. Tracks like “Chanel Rap 24” and “Harlem Nights” are vividly written with back-drops of lush sampling, while “Minnesota Fats” is a potent track alongside Really Jaewon that puts their technical skills on display atop layered instrumentation. S.A.L.Y. is a project that just grabs the listener and draws them in, with each line painting sharp pictures in the process. Give S.A.L.Y. a listen here now.

Connect with Seth Narley: Spotify | Instagram | Twitter

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For the Record: An Interview with Ché

New York’s Ché is a dynamic artist whose versatile sound spans genre influences, with an ability to sound at home on both warm, soulful sounds and those noisier and harsh. Inspired by his diverse upbringing across the borough of Brooklyn, he’s an artist committed to staying true to his creative impulses while willingly exploring new territory with each release. Since his 2023 self-titled debut album CHÉ, we’ve been impressed by his sharp songwriting, ability to craft poignantly personal lyrics, and outside-the-box, creative approach. He has been continuing his trajectory with two recent singles, “JUDY” and “YUKON GOLD”, which both take on lives of their own with their character-rich sound- with “JUDY” displaying a vibrant, R&B-influenced style and “YUKON GOLD”‘s brash, raw lyricism presenting an enticing energy. At Roundhouse Music, we sat down with Ché to talk about his beginnings in music, recent tracks “JUDY” and “YUKON GOLD”, his independent label GLTTR Records, and more.

Roundhouse Music: Growing up, what initially inspired you to begin creating music?

Ché: My love for creative writing and poetry birthed my passion for songwriting and music. Initially (and still now) I wanted to be an author. Once I was introduced to the Harlem Renaissance back in middle school,and discovering rappers like Kendrick and Childish Gambino. A whole new dimension opened up to me in terms of what words can do.

Roundhouse Music: Where did you grow up in New York and how did being around the arts and music scene in NYC influence you as an artist?

Ché: I grew up all over Brooklyn. I started off in Park Slope for my childhood, then in sophomore year of high school we moved to Flatbush. Each of these areas was filled with so many different types of personalities and mini groups/scenes that I gained this super wide lens perspective on life. From hanging out with the private school kids. To playing basketball with kids from the hood. All of these friends that I had allowed me to tap into a bunch of different subcultures. It deepend my artistic reference pool.

Roundhouse Music: Your sound feels very versatile and genre-bending- which genres do you draw from most when creating music?

Ché: I’d say it changes depending on the space I’m in. But most consistently I draw from early to mid 2010s hip hop, 70s soul, and latin jazz. However recently, the music I’ve been workshopping has had a heavy 80s/90s punk influence. So it really depends on where I’m at in life and where I feel I need to go next.

Roundhouse Music: What’s your songwriting process like approaching a new track?

Ché: Typically I like to write at home when I’m alone. Since my music can get pretty personal, I don’t think I can produce the most honest work, when I’m around people. I have done it with success, but I think the best Ché comes from when I’m home alone and get to pace around and talk to myself. Most of my songs come from me just talking to myself and a phrase I said will stick out. That’ll be the launching pad for the rest of the track.

Roundhouse Music: How important is it to you to keep trying new things and staying creative as an artist? I feel like you’re not an artist who can be limited to one box.

Ché: I think it’s imperative. I’m a real human being, in real life, and I grow and change and develop new things. If I robbed myself of expressing that change in my music. I’m doing this for the wrong reasons. Music has always been a vehicle for self expressions and charting your personal changes. So as I mature I want the art to reflect that. I love MUSIC, as a whole, not just a specific corner of it. So when I feel like my skills match my drive and love for a sound, and if I feel it’s organic. I’m going to run towards it.

Roundhouse Music: Which song do you hold as the most special to you personally, and why?

Ché: I’d say it’s a song I actually just made and haven’t released. It’s this super bombastic and aggressive rap track with the nastiest beat switch I think I’ve ever made. But the reason I love it so much is because it’s EXACTLY what I want to do. I don’t feel like I pulled any creative punches. All the music to come out after this next EP is gonna be really shocking to some people. Because it’s me fully showing how deep the creative bag I have is. 

Roundhouse Music: What inspired your recent song “Judy”?

Ché: Judy was such an organic and natural song. Me and Jared were just in the studio and he stumbled across the drums and I liked it. We kind of went into our own worlds for 20 minutes and afterwards I had fully written the song, and he had the whole beat finished. I was in a lovey dovey but somber mood and wanted to play around with inflection. In my mind I imagine some southern cowboy dude singing about his first great heartbreak in an empty saloon.

Roundhouse Music: How did your new song “Yukon Gold” come together? What was your experience like creating it? 

Ché: Yukon Gold was kind of last minute. I knew I wanted the next EP to have four songs, but we were at three and If I didn’t make something relatively soon we’d either push the project back or release it with three. I was randomly crate digging one day and stumbled across the record we sampled, took it home, isolated the moments I liked most, completely wrote the song over the loops I made. Then I took it to Jared and he took it to the next level. 

Roundhouse Music: It’s really cool that you have your own record label as well and are releasing music under it. Can you talk about what’s happening with your record label GLTTR Records?

Ché: I’m so happy you asked. I always wanted my own label, and beyond that, an art house. A space where myself and other people can be creative and actually feel represented and supported. While in its current state, I’m just trying to build up the brand and more so focus on myself. The goal isn’t to simply sign artists. I want to cultivate a communal space for independent creatives so they can have the resources to make music and have it be heard. There are so many gifted people in the world, and it’s so difficult to gain exposure.  With GLTTR Records I’m aiming to establish a landing pad for new and novice talent, so when they do step into this industry. They don’t get ripped in half.

Roundhouse Music: What can we expect next from you on the horizon in music? 

Ché: Consistency. I’ve hit a creative stride as of late and I want to keep the ball rolling. That means lyric videos, music videos, more singles, maybe even a Yellow Machine deluxe if it makes sense. I want to be creating and releasing stuff as much as possible. While also putting all the pieces together in the shadows for this next album. The next project is really special to me and I’m flooded with the same feeling I felt when I was a kid first making music. So while I put all that together, you can expect me to still be dropping dope stuff and staying consistent.

Listen to Ché’s discography HERE.

Connect with Ché: Spotify | Instagram | YouTube

Connect with GLTTR Records: Website | Instagram