For Sighmon, music has always been about figuring things out as he goes. What started in a college dorm room in Georgia in 2017, making beats in his spare time, eventually grew into songwriting, performing, producing, and a commitment to making music on his own terms. Nearly a decade later, that journey has led him to REPTILE, his latest album and arguably his most personal body of work yet.
Now 27 and based in Los Angeles after growing up in Naples, Florida, Sighmon has spent years building his sound from the ground up. His path hasn’t followed a traditional blueprint. He started by making beats, gradually found his way into rapping and songwriting, and then immersed himself in the local music scene — attending shows and showcases, performing at open mics, and eventually building a studio in Florida with friends. Moving to LA at the beginning of last year marked another chapter in that evolution.
With REPTILE, those experiences come together in a project that feels both expansive and distinctly personal.
On REPTILE, rather than trying to fit neatly into one genre, Sighmon pulls from a wide range of influences, blending indie, R&B, alternative pop, hip-hop, and other sounds into something that feels fluid and difficult to categorize. The result is a record that moves naturally between moods without losing its identity.
The album opens with “Soldier,” an atmospheric and heartfelt introduction that immediately establishes the emotional core of the project. Built around spacious instrumentation and Sighmon’s infectious vocals, the song explores resilience, loyalty, and the importance of being there for the people you love. It sets the tone for an album that isn’t afraid to be vulnerable while still maintaining a strong sense of melody and rhythm.
From there, “White Noise” brings a warmer energy. Bright instrumentation and rich grooves give the track an easy, inviting feel, while Sighmon’s vocals carry the song with a natural confidence. It’s catchy, but it doesn’t feel overly polished, fitting comfortably into the album’s balance between experimentation and accessibility.
“Am I Right?”, featuring iamdeanooo, shifts gears, incorporating hip-hop elements with indie influences to create one of the project’s more eclectic offerings. The track highlights Sighmon’s ability to move between styles without making the transitions feel forced, reinforcing the genre-bending approach that runs throughout REPTILE.
One of the album’s standout moments comes with “October Skies.” Wistful and nostalgic, the track slows things down and leans into atmosphere, pairing evocative vocals with a smooth, reflective sound.
REPTILE eventually closes with “Owl,” a dynamic finale that begins in a minimalistic, almost meditative space before gradually expanding into something much larger. As the layers build, so does the emotional weight of the track, giving the album a conclusion that feels earned.
Across REPTILE, Sighmon isn’t chasing a single sound. But rather, he’s embracing the freedom that comes with having spent years learning how to make music, perform it, produce it, and ultimately understand what he wants it to say. The album reflects both where he comes from and where he’s headed — the Florida roots, the years of experimentation, the friendships that have shaped his creative process- as he brought in longtime friends Charlie Hartwell and Jack Pavlina into the production, while DXCKLIN handled mastering- and the new perspective that comes with building a life in Los Angeles.
For an artist who began making beats alone in a college dorm room, REPTILE feels like a natural progression. It’s ambitious without losing its intimacy, genre-blending without feeling scattered, and personal without becoming insular.
Most importantly, it sounds like Sighmon.
Listen to REPTILE here now:
ROUNDHOUSE MUSIC 