conswank has dropped off a new song and video, titled “Let It All Go”. conswank, an artist from Burlington Vermont, has started his solo musical world after being apart of group 99 Neighbors, and he is now venturing into his own sound and dynamic. conswank has been steadily building a beautiful story-driven discography about his life, detailing the positives, as well as as all of the challenges that lie within it. His latest offering, “Let It All Go”, is an atmospheric, sharply-crafted release brimming with emotion, that puts his versatile, genre-bending sound on full display.
On “Let It All Go”, ethereal keys build dynamically beneath conswank’s cathartic vocals, as they track takes on an atmospheric feel. Weaving guitars and elegant strings are added beneath to a lush, vibrant effect, as conswank brings forth a memorable hook that distills the song’s feel of wistfulness. A potent new release, “Let It All Go” has been released alongside a fresh visual directed by Vinay Umapathy that captures the song’s poignant narratives with cinematic, focused shots that are emotionally vibrant and yet captivatingly real.
Listen to “Let It All Go” here and check out the new music video as well:
Lord Sko and Statik Selektah have joined forces for a new single called “Lesson Learned”. This new single finds the prolific NYC emcee weaving together imagery-rich, charismatic flows atop mainstay Statik Selektah’s refreshing loops and raw drums. The track’s nonchalant atmosphere, potent, observant lyricism, and lush production lend to a track that is effortlessly enjoyable. Sko and Statik Selektah share a natural chemistry that translates to “Lesson Learned”‘s butter smooth sound. Accompanied by a new video shot in front of some classic scenery in New York adds to the track’s unpretentious, relaxed feel, “Lesson Learned” makes for an engaging new release from Lord Sko and Statik Selektah. Give “Lesson Learned” a listen here now and check the new video out as well while you’re at it.
New York artist Gio Genesis‘ EP Second Nature is a refreshing project that blends vital, atmospheric soundscapes with heartfelt, expansive vocals for a poignant listen. Emanating focus with its vivid instrumentation, powerful vocals, and sharp songwriting, Second Nature finds Genesis delivering dynamic tracks that cannot be placed into one box. With elements of alternative R&B, hip-hop, DnB, and more- Second Nature finds Genesis unwilling to limit himself sonically, to admirable effect.
Title track “Second Nature” is a hypnotic opener that vibrantly blends flourishes of R&B with DnB and garage influences for a versatile listen. “Easy”, featuring Donte Thomas and Tyjhier, is a cathartic, freeing track that includes layers of breezy instrumentation building atop a crisp drum line, highlighted by the track’s energizing vocals. “Deposit” is a soulful, inspiring finisher that closes out Second Nature at a high point, putting Genesis’ diverse vocals on full display with introspective lyricism. Give Second Nature a listen here now.
Mark Saunders has released a new “BRUDDAHOOD” short film, which has come after the release of the well-received single of the same name. A multi-layered, expressive visual from Saunders that captures the song’s potency, Saunders directed the film himself alongside Luis Vazquez, and he provides the vocals on the lucid fifth verse alongside a talented cast of collaborators that includes TeeDotOhh, Ducksauce, Flii BooGiie, and SNS. The “BRUDDAHOOD” short film is a focused, engaging look into Saunders’ artistic realm with its cohesive synergy of sound and imagery that feels raw and authentic throughout. The visual’s stark, nocturnal shots and fast-paced editing give it a bracing energy while at the same time, it feels down to earth and intimate- giving it an intriguing contrast that adds much character. The short film captures the track’s themes of “BRUDDAHOOD” as it follows Saunders, TeeDotOhh, Ducksauce, Flii BooGiie, and SNS through captivating performances, as the song’s gritty instrumentation and heavy drums suitably soundtrack the dark, energizing feel.
The “BRUDDAHOOD” film further showcases Saunders ability to merge different mediums and release multi-layered offerings that fulfill a larger vision. With the film’s poignant narratives, dynamic shots, and memorable performances capturing themes of camaraderie and brotherhood- paired with the song’s textural, intense feel- “BRUDDAHOOD” makes for a cohesive, thoughtful new offering directed by Saunders and Luis Vazquez.
Mark Saunders is a multi-talented artist from The Bronx, New York who pushes boundaries with his releases by combining various artistic disciplines in ways that challenge convention. Driven by a desire to inspire, motivate, and tell a story of many, Saunders seeks to find something universal and bring it out in his work, giving his output an authentic, engaging feel throughout. His latest offering, the “BRUDDAHOOD” short film, marks another entry in his growing catalogue of multi-layered, thought-provoking releases. Watch the “BRUDDAHOOD” short film here now:
Los Angeles’ Nick Coleman and New Orleans’ The Adoni have dropped off a new collaborative single called “Count It”. On this new track, the pair demonstrate a kinetic chemistry atop an infectious instrumental that is both smooth and energizing. With undertones of triumph laced into reverb-soaked guitars, booming drums, and massive 808s, “Count It” is an empowering track that finds Coleman and The Adoni dropping charismatic bars that blend together seamlessly. A single from the pair’s anticipated collaborative EP, “Count It” makes for an enticing new offering. Give it a listen here now.
South Bronx, NY artist Seth Narley has dropped off a new EP, titled S.A.L.Y. Born Raymon Calleja, S.A.L.Y. is the latest offering in a series of potent releases that have included A MILLBROOK STORY, NIGHT AT THE ROXY, and more. Here, Narley tackles a set of soulful, stripped back beats that bring his present, clear delivery and penchant for introspective, cathartic lyrics to the forefront for a vivid listen.
Energizing soul samples, airy percussion, and rich bass-lines accentuate the warm, emotive feel of the set of four tracks, paired with an engagingly raw sound and approach. Tracks like “Chanel Rap 24” and “Harlem Nights” are vividly written with back-drops of lush sampling, while “Minnesota Fats” is a potent track alongside Really Jaewon that puts their technical skills on display atop layered instrumentation. S.A.L.Y. is a project that just grabs the listener and draws them in, with each line painting sharp pictures in the process. Give S.A.L.Y. a listen here now.
New Jersey standout Wiseboy Jeremy is back with a new single, titled “Temple Doors”. Produced by $UPREMELOOPDIGGA, “Temple Doors” weaving, psychedelic instrumentation blends jazzy grooves with ethereal tones for a potent listen, capped off by Jeremy’s sharp lyricism and vivid imagery. The sonics on “Temple Doors” are beautifully disorienting, with a thought-provoking, hypnotic feel that give it a character unto its own. On “Temple Doors”, Wiseboy Jeremy sounds poised and focused atop the smoky production, while his imaginative lyrical style and emotive delivery give the track added character.
Take a listen to the prolific New Jersey artist’s latest song “Temple Doors” here now:
chace. has joined forces with Malik Elijah for a fresh song called “love letters to myself”. The Boston producer, singer, rapper, instrumentalist, creative director and owner of Mind Flex Records has been carving out his own lane for his infectious blend of hip-hop, R&B, and alternative music. For his latest offering he connects with fellow Boston-based musician, the prolific and lyrically gifted Malik Elijah, for a new track that contains a uplifting mood and sharp rhymes that keep the listener engaged from the get-go. Containing production that elevates with soulful, potent instrumentation, paired with focused rhymes that give “love letters to myself” an inspiring feel. Check out “love letters to myself” here now.
Phoenix James is a rising force in the vibrant South Florida music scene, who has established herself as a daring, versatile singer-songwriter and producer across a vibrant discography. Soulful and genre-bending- her sound and songwriting emanates focus and intentionality while remaining expressively heartfelt. Phoenix’s versatile approach to music makes it difficult to place her work in one box, with multi-faceted releases that stay committed to remaining authentic. Her discography demonstrates range, with radiant projects like 2022’s New Stages EP presenting a refreshing, atmospheric take on alternative R&B, while her most recent solo release “Digital”‘s sleek, left-field electronic influences pushes towards the future. We sat down with Phoenix to discuss her beginnings, songwriting process, her new song “Digital” and more.
Roundhouse Music: What were some of your earliest inspirations to start creating music?
Phoenix: I think hip hop was definitely my first love. My Dad would put on MTV and I became obsessed with Missy Elliot, and when my dad explained that she was a producer, and what a producer was, I wanted to do exactly that. On the songwriting end, listening to the channel orange album was life-changing for me. The album felt like literature, and it made me dive into songwriting.
Roundhouse Music:What was it like for you growing up in Miami as far as being immersed in its music and artistic scene?
Phoenix: I literally would not have wanted to grow up anywhere else. Musically I learned so much from the mix of different cultures! The “Limbs” chord progression is derivative of a salsa progression. I grew up playing in different bands at house shows and student organized shows before dropping any music of my own. Miami and South Florida are filled with extremely talented musicians.
Roundhouse Music:What was your process like creating your latest song “Digital”?
Phoenix: “Digital” was really just a songwriting/beat making exercise. I was trying to get out of the slow song headspace. I like to practice songwriting by giving myself a prompt, and the prompt was “write about people who care more about the portrayal of their relationships on social media than the actual relationships”. I wasn’t going to release it, but I played it for a couple of people and they really liked it, so I decided to release it. It’s fun haha
Roundhouse Music: What inspired the electronic-infused sound on “Digital”?
Phoenix: I don’t think anything really inspired it directly, Ive just been making a lot of stripped down music, so I wanted to have fun!
Roundhouse Music:What’s your songwriting process like?
Phoenix: The answer to this question is constantly changing haha. My songwriting process always depends on what I’m doing, so it’s never a set thing. Sometimes a poem I write turns into lyrics (“Limbs”), sometimes I fully finish a beat and then I write ( I did that on “Digital”), sometimes I am writing lyrics in my head and producing at the same time (it’s weird) and sometimes Abner Dennis has me just start free-styling on the mic and we go bar by bar (“Peace” & “Contact High”), sometimes it’s Abner still working on the beat and I’m writing. It’s never the same.
Roundhouse Music: I know you recently performed at SOB’s in New York, what was your experience like performing there?
Phoenix: SOBs was so cool. Just seeing the list of legendary artists that had been on that same stage, and talking to the engineer about who his favorite performers were. The crowd was a little rude though, a bunch of NYU kids talking through all of the performances, but it’s all good haha. I’m big on concert etiquette.
Roundhouse Music: Would you consider yourself a spiritual person? I think your music has a spiritual feel. If so, how does it contribute to your creativity and artistry?
Phoenix: I definitely am spiritual, I think every musician is whether they think it or not. A spiritual feel? I don’t think anyone’s ever told me that haha, that’s cool, thank you. I think for me, it’s all about digging as deep as possible to connect to myself. Getting into the flow state and just word/melody vomitting everything out. I try to make sure everything comes from a place of presence and intention.
Roundhouse Music: Do you have a favorite experience collaborating with another artist?
Phoenix: I don’t think I’m allowed to talk about my favorite collaboration just yet, but I love working with artists that are free in the way they express themselves, and are down to try anything. Another favorite would definitely be working with Frank Sativa though, he’s a genuine person and super talented. We had fun in the studio.
Roundhouse Music: Do you have a favorite song that you’ve created and what makes it hold a special place for you?
Phoenix: I have an unreleased song that was just an insane experience to make. I took a substance with my friends in LA and we stayed up until the sun rose working on the song. The song is unlike anything we’ve ever made. When I play it for people they are kinda just like “woah” which I love haha.
Roundhouse Music: What’s on the horizon for you in music?
Phoenix: An ALBUM is on the horizon, I’m not gonna say too much right now, but I am sharpening my sword. Definitely excited for what’s to come.
Chicago-born, Minneapolis-based artist GR3G has shared a new single called “LET THAT SHIT GO !”. A poetic lyricist with a penchant for heartfelt, soulful sounds- GR3G has been highly prolific of late with poignant projects like FOOD 4 THOUGHT and HEAL FOR ME. His latest single, “LET THAT SHIT GO !”, continues his run of cathartic, introspective songs which examines feelings of acceptance and freedom. Atop elegant strings, rich bass, and organic-sounding percussion, GR3G waxes poetic with engaging, poignant lines chock full of vivid emotion. Give GR3G’s latest “LET THAT SHIT GO !” a listen here now.
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